I posted recently about the quiet space between projects, where I play in my art journals, try out ideas, and just muddle about. I’d been listening to a YT post by Helen Wells who refers to the ebb and flow of creativity.
Sometimes I think I’m ready for a new series so I make a start and it’s just not right. I wrote about a false start back in March. I’ve been looking at photos from the last couple of times Alan and I have been away in the hills, and painting some ideas in my small journals.
Last night I was watching Australian artist Laura Horn on YT; I’ve admired her work for a long time. There was something about her work that made what had been on the periphery of my knowing come into focus. I’ve started making gelli prints with a specific purpose in mind, and have bought 6 wood panels to work on. They’re only 12×12” so I can have two or three on my desk at once. I’m excited to see what happens…
I’m sick – probably not Covid (negative so far) but razor blade throat etc. There’s been a lot of bugs going round at work & in the community, so I’m tucked up in bed.
I’ve been watching art videos by Orla Stevens, Louise Fletcher and Helen Wells on developing a solid sketchbook practice, finding consistency and setting your artistic intentions. I know, from past experience, that a new journal is not a cure-all, but I’ve just bought my first Fabriano Venezia journal and love it. The pages are thick and stand up well to the way I work. My intention is to add more “mixed” into my mixed media, so I’ve littered my desk with supplies to experiment with: paint, ink, water soluble crayons, Stabilo All pencil, oil pastels, Stabilo Woodys, collage materials, metallic inks.
Some of the works below are from the new journal, and the square format works are ones I did last weekend when Alan and I stayed in the bush for the weekend. No light or noise pollution, only solar power, and cooking on a gas camp stove — so good! I’m not sure any of these are finished yet, and some are shown at more than one stage.
I haven’t blogged since March. It’s taken me all that time to figure out why WordPress wasn’t working properly. Once I figured it out, the solution was easy! Sigh…
Pen and I are between exhibitions at the moment. I’ve got a few things I’m playing with but, so far, nothing has grabbed me enough to turn into a series or even hold my interest for long. I know to just keep playing – it’ll come. Helen Wells talked about this recently on YouTube Vrbo YouTube Occasions Wins & Losses NZ EN 16×9 15s
I’m teaching a basic Dylusions art journal class. We’re meeting one night a week for 10 weeks. It’s lovely watching people have that “aha” moment when they realise how freeing an art journal can be.
Alan and I have been out into the back blocks of Eltham twice recently, staying in a cabin well away from the world. Log fire, no noise or light pollution, surrounded by steeps bush-covered hills and deer, with the sound of a stream nearby. Bliss!
I’ll share a of few photos of where I’ve been and what I’ve been creating. There’s no real rhyme or reason to the art at this stage, and that’s exactly the point.
On Saturday I posted on bsky that “I’ve just taped the edges of about a dozen pieces of paper. I love a nice, clean white edge on the finished works. The fact I’ve prepped so many is a good sign. My subconscious must think I’m ready to start a new series”.
I had an idea of what I wanted to create, starting with fluro pink or orange paint scraped onto the paper so it was textural. I painted 8 small pieces of paper, mainly in the fluro pink, and let it dry. So far, so good.
Then … nothing. Hmm, looked at the inspiration photos on the wall, and the couple of trial works I’d done. Ok, the direction’s pretty clear. Put some paint out and started working across four of the prepped surfaces.
Nothing worked as expected. Not just in a “well, these need a lot of refining” way, or even a “well, some collage and mark making will help” way either. More of a “can I light a bonfire” way?” 😉
It means I prepped the surfaces too soon. I need to spend more time in my art journals, more time playing with colours and shapes, and just let it simmer. The paper I prepped won’t go to waste, but it’ll probably be a few weeks at least before they appear on my art desk again.
Alan’s daughter Debbie and her fiance Jason got married in Ashburton recently, and we were fortunate to have friends Cushla and Kevin join us. Friday night was the rehearsal, Saturday morning was hair etc, then the wedding itself was mid-afternoon. It was held in the stunning gardens of his parent’s property – they had done so much work to create a beautiful setting. I didn’t take any photos, which is unusual for me, but the wedding was just so lovely that I was concentrating on the ceremony. Debbie looked beautiful, Jason and his son Dante looked handsome; even the two dogs looked great in their wedding bibs.
Sunday morning we had a lovely walk round the Ashburton Domain before heading back to Jason’s parents for brunch with everyone. Later in the day we drove to Lake Tekapo and spent the night with Maryrose. Lake Tekapo is beautiful; the three of us walked into town for dinner and it was lovely in the evening air. On the way out the next day we braved the queues and it was worth it because now we both recommend the pies at the bakery in Fairlie – so good! We drove back to Hokitika via Lake Coleridge, way up a gravel road so we could see Mt Algidus which had featured in Mona Anderson’s book “A river rules my life”.
We were fortunate to have the use of an off-grid beach bach for two nights, about an hour from Hokitika. It was a bit of adventure getting there as we had to ford a river a few times, towing the boat, and the final crossing didn’t quite go to plan. That’s enough about that 😉 He did some fishing, we watched a South Island Robin come in and roam the bach to clean up any insects, Alan went out at night watching the deer and … I provided a tasty snack for the local sandfly population!
We’d stayed an extra night with Kevin and Cushla before heading to the beach so when we got back we stayed with Scott and Helen, which meant Alan could do some farm work too. I caught up with Pen Kirk for lunch so we could start planning what comes next for our collab art. We’re not working towards another joint exhibition for now, but we do have a mission, which feels good. There’s something magic about collaborating with an artist you trust so you both have freedom to create without fear.
We had lunch in Kaikoura – the seals are majestic but smelly.We were fortunate so see a large pod of dolphins on the move; this is just a few of them.At the wedding reception.The Lake Coleridge area.This is the path to the toilet at the bach – the area is so pretty.
Cath Sheard Art 