Author: Catherine Barker-Sheard

  • Combining the elements

    I’ve been piling up the gelli prints, writing and drawing in my journals, and playing with photos. So the next step was to combine some of it in Photoshop. This is fairly small, and has about 7 layers. I’m slowly learning to do more in Photoshop but it’s still feels a bit foreign to me. I need to head over the Michelle Ward’s blog and reread her information about making digital brushes masks – she’s an awesome teacher and incredibly generous with  her knowledge.

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  • More Gelli prints

    Yesterday I got out my Gelli Plate, a new selection of colors, foam stamps, bubble wrap and a pile of plain newsprint and some newspaper. I like the way fluid acrylics print on the absorbent newsprint, but had to be patient as it needs to be fully dry before trying to overprint. I’m not sure what I am going to do with these yet, but I know I’m not finished with them…. As with previous prints, the paper I cleaned my brayer on was worth saving. ImageiImage

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  • Gelli prints

    What’s the perfect thing to do on Good Friday? Make art of course! I got out my 6×6″ Gelli Plate, Golden Fluid Acrylic paints, a pile of stencils and got to work. I mainly printed on 120gsm white paper but a few telephone pages were harmed in the making of these prints…who needs to look up Stratford numbers anyway? I made dozens of prints, these are just a few favourites.

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    Tony came home as I was cleaning up and we had one of those conversations where I was reminded once again how lucky we are to have each other, and how respectful and careful we are of each other’s feelings. We even ended up commenting on that; that we choose to operate on a level of care and respect.

    Look, I say, holding up the two purple ones with red and white patterns underneath. They match. No they don’t, says Tony. Yeah, they do – they’re both purple with red and white underneath. Tony: that doesn’t mean they match! Me: well close enough… he shrugs and laughs.

    Round two. We’ve been talking about repainting the middle room, currently lime green, in a cream shade so I can display more art. He’s watching, amused, as I rifle through my pile of prints, considering my next step with them – a journal maybe? Suddenly he says – you could cut them into proper squares and display them in a grid on the middle room when the walls painted. I’m so excited I flap my hands at him 😉 He just laughs and says he regrets the suggestion already. Then he looks at me and utters his favorite line “So, what are they going to be?”

    And my reply: They’re not going to ‘be’ anything, they just are. Oh, he says, and smiles at me.

    Even the newsprint I cleaned my brayer off on each time has been put aside to do something with. Both pieces have such cool colors and this amazing texture. And for the record, I love my Gelli Plate!

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  • I don’t remember

    I don’t remember why these photos are so blurry, but I do remember why I married Tony 18 years ago today. He made me laugh back then, and he still makes me laugh. Most of the time he looks quite serious; this is the Tony relatively few people get to see (mind you, looking at these photos, how many would want to?).

    My wish? That we grow old together, still laughing. I know how fortunate we are to have each other.

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  • A theme emerges

    Mum’s funeral service, conducted by a local JP who had a lot to do with Mum, has made me think about what I do and don’t believe. Mum was an atheist, as was her dad. I spent some time in the church as a teenager but I suspect that was about belonging more than anything. I certainly don’t call myself a Christian. Thinking all that through seems to be a recurring theme in my journal, as does my changing relationship with my now-retired husband, and career/art time, now that Mum is gone. Here’s what I have been creating with all this in mind:

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