Cath Sheard Art

Author: Catherine Barker-Sheard

  • Melting ice – another snow painting

    Here’s another in the series of four which has headed off to Auckland and been hung in the Cross Cut hair salon. The salon owner was apparently delighted, as the works are a bit different to what she’s been hanging lately. Glad to have made her day…

    melting ice

  • Snow paintings finished

    Back here, I showed you work in progress on some snow paintings. The idea of painting the lights, colours and shadows that sit in and under snow came to me after seeing news reports about avalanches in the South Island here in NZ. The finished works are mutli-layered: blue, mauve, purple etc then transparent layers of white, more colour, more white, more colour, more white…

    The four are now finished, strung, signed etc and off to a busy Auckland hair salon for a time. It’s all about keeping my work out there, making sure people see it and see my name. You can read what Alyson at ArtBizBlog says about getting your art of of the studio here.  

     Here’s the first of them, I’ll save the erst for later in the week when my art room is quiet. This one, titled “Glacial”, is 12×16″ on W&N deep edge canvas. Glacial 2009

  • Crusade #33 – back to school

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    Michelle’s challenge over at the GPP Street Team this month is to learn something new, either in or out of the studio – you can read all about it here. I decided this month I would learn to let go of the results a bit more, and just enjoy the process. In the spirit of going back to school I have been reading about the creative process, about play, and about some new cutting-edge techniques – trying to make my objective an active on. Some of the books I have dipped into have included Nita Leland’s “The new creative artist“, Nancy Reyner’s “Acrylic revolution” and Lisa Cyr’s “Art revolution“.  

    Moving on from reading, I have been playing with looser backgrounds as beginnings to works, collage, enhancing digitally then printing and working further on paper. In the image shown here I photographed a chook in amongst some weeds, made a loose background with texture, collaged the photo on, added some old watercolour painting strips on top, scanned and enhanced digitally. Is it a masterpiece? Not at all. Did I let go off the results and just learn through play? Yes.

    Thanks Michelle – my “back to school” lesson was one I needed to start (re)learning. chook crop

  • Play time at my desk

    It’s good to just fiddle round with supplies sometimes, just getting a feel for your materials, and seeing what pops into your head. At the weekend this popped into my head, and then out onto heavy watercolour paper.  The base is washes of thin acrylic over gel medium, some acrylic on rubber stamps, more gel medium, then collaged images, more paint and some stencilling. Did I learn anything from doing it? Perhaps not, but it felt good – and isn’t that half the point of making art? sanskrit

  • Back to mapping the land

    Mapping the land #2Over the last few months I have been looking at Aboriginal Art, especially works which map the land using an aerial perspective. It fascinates me, but it turns out I find it quite hard to do; the traditional Western viewpoint is so strongly ingrained. You can see my original post about this here, and some unsuccessful attempts here.  

    Yesterday I was having a ‘play’ day – just spending time with paint, stamps, glue etc. I did some mono-prints, some mixed-media collage, a little scrapbooking. A bit of this and a bit of that. I sifted through a few books on my shelf, including some that show the land from above.

    After I had relaxed a bit I pulled out some heavier weight watercolour paper and did some monoprints using a bonded plastic bag I had saved from something-or-other. I started just casually working on top of the monoprint. And there it was – the first attempt at aerial mapping that starts to approach what I had in mind. It feels like I have broken through an unseen barrier.