Cath Sheard Art

Author: Catherine Barker-Sheard

  • We interrupt this art for …

    some quick family news and a plea. The family news has no names for privacy sake.

    Dad’s last surviving brother has bowel cancer – he’s 88, in no pain, and should have a bed in the hospice by Friday. His daughter has basal skin cancer that has to come off next week. His granddaughter is about to have her 1 year check up following removal of a nasty cancerous tumour in her leg last year. So we’re going through one of those rough patches. There has been a lot of cancer in my extended family, on both sides.

    Now for the plea. Please, please – get skin spots checked, have your breast screening done, get checked for prostate cancer. Don’t whimper and whine; like Nike says – just DO IT.

  • More mapping, of a sort.

    I am still deeply fascinated by the way in which Aboriginal artists map the land. I have been going through some of my stash of photos, and there’s quite a few of them, looking at the land and what has taken my eye in the past. Is it mountains, the sea, grass, buildings – what? Turns out the sea and Mt Egmont feature pretty prominently.

    Then I got to thinking about what I like in others people’s work, and in my art journals. And what I like – and don’t like – about the mapping sketches I have done so far. I like simplicity, but I also like layers. Into Photoshop for a while, and I came up with 3 images that I like. This week I will be taking them onto paper for a play round to see if the ideas translate into the material world. You just never know until you try it. For the record, the images are a combination of  Waverley beach and the lillies we have growing outside Mum’s room so she can enjoy them.

    beach flower 1

    beach flower 4

    beach flower 3

  • My mapping went “awol”

    As you saw a few posts back, I am fascinated with the way modern Aboriginal artists map the land, often from memory. I had a play a week or so back and at the weekend found time to have another shot.It’s not as easy as it looks! Why? Because my brain automatically decides to do “western perspective” landscapes instead, and not very well at that. I think producing something that satisfies my idea of ‘mapping’ the land around me is going to be way more of a learning curve than I had imagined. Bring it on I say…

    In the meantime, here are just four of the many I did at the weekend, all on Fabriano Artistico140lb 5×7″ watercolour paper with Golden Fluid acrylics. It was interesting to see the work got looser and more abstract the longer I had a brush in my hand.

  • Latest NZAG challenge

    Here’s my entry in the latest NZ Art Guild challenge, which had to involve memory in some way, and only use two colours plus black and white. I drew the pears from memory, so that’s the inspiration part.
    Title: Purple and Yellow Pears
    Size: 20cm w x 23cm deep
    Medium: Acrylic on white AS Modigliani paper. Black, white, Windsor Purple and Deep Cadmium Yellow acrylic paints.

    Purple and yellow pears

  • Mapping the land; experimenting with paint

    Mapping 2As you know from a couple of posts back, I have become increasingly fascinated with Aboriginal art, especially the idea of mapping the land. I’ve cuts lots of pictures out of magazines, downloaded art and maps from the net, made some sketches. Generally just started to build up some reference material in my new visual diary.

    Today I started in using some paint in my visual diary. Thinking about the shapes of Taranaki where I live, edges and boundaries, about topography and how we represent where we live. One painting I am happy enough with as a starting point, the other doesn’t even begin to express what I was looking for, it’s too – hang on, that would be giving the show away. It’s okay that I’m not happy with one of them, because the diary is just my sandpit for messing round in. Can you guess which one pleases me?

    Mapping the land 1