Author: Catherine Barker-Sheard

  • Collage Breakthrough course

    Collage Breakthrough course

    At the start of every year I do an online art course, this year I’ve chosen Cat Rain’s Collage Breakthrough course. I’ve been doing collage for 20+ years; there’s always something to learn, and forced action increases gaining momentum.

    As with any course, I won’t talk much about the process, because that is their intellectual property. Instead I’ll share my discoveries.

    We started by making collage papers and I used the gelli plate. We need a mix of plain and patterned. I used my favourite stencils and, based on Cat’s videos, decided to make some patterned papers using a brush for mark making.

    We made grids of small collages, using two papers each, based on her guidelines. My first set was in a warm palette and I quickly realised I had light & mid tones, but no real darks. Also, the warm colours weren’t speaking to me. I made a new set of papers using blue and purple, mixed with black and white.

    I made my first grid of 6 collages using the new cool papers, and straight cut edges, which is what Cat had demonstrated. Then a second set of 6, with torn edges and more organic shapes.

    The next lesson was larger pieces, using 3 papers each, and I didn’t even bother using straight edges.

    What have I learned or remember so far?

    • I prefer torn edges, more organic shapes.
    • I prefer a cooler colour palette.
    • I’m more likely to reach for stencilled papers than ones with organic mark making.
    • I don’t always use enough tonal contrast in my work.
  • Drawing doesn’t have to be good

    Last year I decided to practice drawing, and quickly gave up. This year I got tempted again, but didn’t want to start, then quickly stop again.

    In some of the leadership training I’ve done, we talk about asking why 5 times to get to the root cause of something. I decided to use the model and figure out why I don’t keep drawing.

    Why did you stop drawing? I got bored.

    Why did you get bored? The drawings were too basic.

    Why were the drawings too basic? I was trying to learn traditional drawing techniques.

    Why were you trying to learn traditional drawing? It seemed the right place to start.

    Why do you think it’s the right place to start? Because that’s what we learned at art school.

    And there I have it. I have been trying to re-learn using traditional drawing methods, without being in the class environment with the support of the tutor etc. Yet there’s no reason why I can’t just draw however I want, for the fun of it. I’ve started doing that, without worrying if it is right, and I’m enjoying it. There are two examples below.

    On Bsky someone I followed posted this, and I have copied it because it speaks to me –

    I will draw, even if it’s bad.
    I will draw, even if it’s challenging.
    I will draw, even if it’s been done before.
    I will draw, even if it’s imperfect.
    I will draw, even if someone else is better.
    I will draw, even if I have much to learn.

    I will draw because it’s fun.
    Because I’m human.

  • Looking back at 2025

    Looking back at 2025

    Af the end of the year I normally look back at what I’ve achieved, documenting the highs and lows.

    When I think about the year that’s coming to an end, the first – and almost only – thing that comes to mind is the loss of Tony. From May, until his death on November 3rd, it was a hard slog which I couldn’t document here. We were together 33 years; that’s more than a lot of people get and I’m thankful for his love and support over all those years.

    I’m grateful for the support of his daughter Yasmine, my partner Alan, friend Sandra, his brother Roger, my sister Ailsa, resthome staff and work colleagues.

    There were other things but, to be honest, I had to go back through my blog to remember them. I entered the Awagami Mini Print Awards and received a Highly Commended, which was fantastic.

    I enrolled in Wanderlust ‘25, a year long course, but didn’t complete it as Tony needed so much time.

    I made art, sold art, taught and exhibited with Pen Kirk, worked hard, had a few short trips. Mainly I got through, which feels like a huge achievement.

    May 2026 be kind to you and your loved ones.

  • Art goals for 2026

    I touched on this here, and spelling it out will help me have clarity. In 2026, my art goals are:

    • Explore mark making to rediscover the marks that are truly me
    • Create with no expectations, no judgement
    • Fill art journals with art, not just craft
    • Continue to do craft/product driven journals for the sheer joy
    • Do a range of free online art courses to learn new skills
    • Look for opportunities to exhibit
    • Continue to collaborate with Pen Kirk
  • Going with a new direction

    Going with a new direction

    As I play in my small Fabriano art journal, with zero expectations, I can see a change happening. I’ve got the urge to complete the shapes, replicate colours and patterns. This isn’t what I normally do, so I’m going with it to see what happens. It’s most likely a step on the way to something else. It doesn’t feel like something I’d pursue in its own right.