Cath Sheard Art

Author: Catherine Barker-Sheard

  • Layers aren’t precious

    Most of my art involves layers. Layers of collage, paint, mark making. Hiding things, revealing others, making some areas stand out. The layers are intuitive and unplanned, my hands working back and forth across the substrate.

    I was talking to my friend Penny tonight, who is also an artist. She was talking about an aspect of her process that’s important to her. I commented that, when I’m cutting painted paper for collage, I might cut it multiple times, shaving a few millimeters extra off until it feels just right. The shapes are organic, so you’d think those few millimeters wouldn’t matter – but for me they’re crucial.

    When I work in layers I’m happy to give up almost any layer, mark, colour if I need to. Nothing is so good it can’t be covered over. I can always paint another one, cut another one. There’s enormous creative freedom in being able to let go. Yesterday I shared online the layer online seen below and said I was going to start covering up most of it. A few people said “don’t”. Too late, it’s gone…

  • Isn’t it obvious?

    Tony and I’ve never made a secret of his deteriorating health, or that the decision to go into resthome care was made by the medical system. We knew the time was coming, but the choice was taken from us – which was a good thing.

    In the six weeks he’s been in the home Tony has (mainly) been quite well, although he isn’t doing so well just now. A few people have made comments about how well he looks and questioned whether he needs to be there. Not helpful, even if well-intentioned.

    Yesterday Sandra visited an old friend of Mum’s who was sensible enough to ask “is Tony seriously sick?” and expect an honest answer. Sandra simply said yes. Mum’s friend said “thought so”.

    From the way the conversation went, I gather some people in town are discussing why Tony is in the rest home. It’s simple; he’s there because he needs to be. Yes, he’s that sick. If people want to know more, ask. We’re happy to provide the truth rather than have people make up their own version.

  • A puppy and a virus

    My best friend of 50 mumble years has moved in with me, along with her dog Bruno, some fish and assorted plants. It’s lovely having company, and someone cooking for me. We’re quickly getting into a workable routine.

    Bruno is a sweetie, but Goldie is unimpressed and waits until the lights go out before coming inside. She sleeps in the car shed during the day and has food out there. When she gets on the bed with me she purrs loudly … she’s fine, just getting used to him.

    I developed a mild cold late Sunday so had a COVID test on Monday and have been self isolating. Fortunately I can work from home and always bring my device home with me. I got the negative result late this afternoon. I’m pleased I got tested, because they need to do over 800 tests in Taranaki to be sure there’s no cases in the community. The test is unpleasant but quick; this was my second and I’ll do it again if I need to.

  • Creativity helps

    I’ll skip the details but Tony wasn’t great today. He was home for a bit while I was working from home, so I could attend a bunch of local meetings, but I ended up taking him back because he said he felt “absolutely dreadful”. The rest home staff said they’d call me if he got worse.

    I felt we’d had far worse days at home but until now he’s been remarkably well in their care so think they got a surprise. As I said to one staff member, he was assessed as needing rest home care for good reason! He’s feeling and looking better now but hasn’t really eaten anything today.

    It was an unsettling day, so after dinner I grabbed the new art journal I’ve started and made a bunch of backgrounds. The thing about creating backgrounds is there’s no real thought involved. I grab 3 sprays to lay down some colour, add more colour through a stencil or two, splashes or drips of water to activate the sprays and maybe some dark splatter. It’s about getting my hands busy and distracting my mind. I find it soothing – I believe art is good for the soul (but not so good for the colour of my hands!)

  • Back to the dark side

    Tim Holtz unveiled the latest colour is his Distress line today, Prize Ribbon. Love it! Watching the reveal video, with all the makes, reminded me how much I enjoy using Tim’s products. I’ve been very focussed on the Dylusions and Dina Wakley range for a while now.

    Tony was home for the day from the rest home and had brought his Paint by Numbers with him, so I grabbed a fresh journal and a pile of Distress Oxides sprays and Distress paint. I made a stack of backgrounds, then went back and added splatter with Distress Ink, Distress paint and DWM white gloss spray.

    Once that had all dried I hauled out Tim’s paper dolls, the new wallpaper range, quote stickers and other bits from his range, plus some paper dolls I’d made recently inspired by Niamh Baly on YouTube. The paper dolls used Tim’s etching heads as a starting point.

    Tim Holtz often mentions the dark side … referring to grunge and using browns in your art, rather than bright and cheerful. Although I didn’t go fully to the dark side, I used Walnut Stain, Black Soot, and Ground Espresso on every layout.

    It was fun to do something different, and break out some old favourite supplies – I’ll be sure not to neglect the, for so long from now on.