Cath Sheard Art

Author: Catherine Barker-Sheard

  • A puppy and a virus

    My best friend of 50 mumble years has moved in with me, along with her dog Bruno, some fish and assorted plants. It’s lovely having company, and someone cooking for me. We’re quickly getting into a workable routine.

    Bruno is a sweetie, but Goldie is unimpressed and waits until the lights go out before coming inside. She sleeps in the car shed during the day and has food out there. When she gets on the bed with me she purrs loudly … she’s fine, just getting used to him.

    I developed a mild cold late Sunday so had a COVID test on Monday and have been self isolating. Fortunately I can work from home and always bring my device home with me. I got the negative result late this afternoon. I’m pleased I got tested, because they need to do over 800 tests in Taranaki to be sure there’s no cases in the community. The test is unpleasant but quick; this was my second and I’ll do it again if I need to.

  • Creativity helps

    I’ll skip the details but Tony wasn’t great today. He was home for a bit while I was working from home, so I could attend a bunch of local meetings, but I ended up taking him back because he said he felt “absolutely dreadful”. The rest home staff said they’d call me if he got worse.

    I felt we’d had far worse days at home but until now he’s been remarkably well in their care so think they got a surprise. As I said to one staff member, he was assessed as needing rest home care for good reason! He’s feeling and looking better now but hasn’t really eaten anything today.

    It was an unsettling day, so after dinner I grabbed the new art journal I’ve started and made a bunch of backgrounds. The thing about creating backgrounds is there’s no real thought involved. I grab 3 sprays to lay down some colour, add more colour through a stencil or two, splashes or drips of water to activate the sprays and maybe some dark splatter. It’s about getting my hands busy and distracting my mind. I find it soothing – I believe art is good for the soul (but not so good for the colour of my hands!)

  • Back to the dark side

    Tim Holtz unveiled the latest colour is his Distress line today, Prize Ribbon. Love it! Watching the reveal video, with all the makes, reminded me how much I enjoy using Tim’s products. I’ve been very focussed on the Dylusions and Dina Wakley range for a while now.

    Tony was home for the day from the rest home and had brought his Paint by Numbers with him, so I grabbed a fresh journal and a pile of Distress Oxides sprays and Distress paint. I made a stack of backgrounds, then went back and added splatter with Distress Ink, Distress paint and DWM white gloss spray.

    Once that had all dried I hauled out Tim’s paper dolls, the new wallpaper range, quote stickers and other bits from his range, plus some paper dolls I’d made recently inspired by Niamh Baly on YouTube. The paper dolls used Tim’s etching heads as a starting point.

    Tim Holtz often mentions the dark side … referring to grunge and using browns in your art, rather than bright and cheerful. Although I didn’t go fully to the dark side, I used Walnut Stain, Black Soot, and Ground Espresso on every layout.

    It was fun to do something different, and break out some old favourite supplies – I’ll be sure not to neglect the, for so long from now on.

  • A cat’s life

    Marlow drifts in and out of Tony’s room constantly, because he has a ranch slider, but she’s not overly affectionate. I bought a bag of fancy cat treats and suggested giving her one or two at a time. She’s taken to napping on the mohair rug on his lazyboy and today she curled up on his knee for a bit. Success!

  • Low tack tape is magic!

    I often use low tack tape around the edges of Fabriano Mixed Media paper then tape it into quarters. I work across the four quadrants as though it’s one sheet, starting with pencil marks, collage, and paint.

    If I work towards a finished image too quickly the work feels stiff and boring. That happened today so I grabbed some Dina Wakley acrylic gloss spray and put puddles onto the sheets of paper, moving it around with a brush or just tipping the sheet.

    I lost my grip on the bottle and poured quite a lot of Tangerine onto one sheet. Eek! I tipped it around a bit, then used a paper towel to mop some up. I thought it was probably a goner, and would end up being cut into pieces for collage.

    But there’s something magic about clean white edges; works that seem blah can suddenly look amazing. I pulled the tape of the 5 large sheets tonight and – go figure – the one with the Tangerine spill is stunning.

    In the photos, the one with the mauve tape still in place is a truer colour, the second is done on my scanner which doesn’t capture colour well.