I said earlier this week I was making changes because life felt shitty. I’m now coming home from work, closing up the house and putting the heater on in my office, getting changed, leaving a light on – then going to see Tony. That way I don’t come home to a totally cold, dark house.
Today I used some FlyBuys points to get a small slow cooker. I can prep containers of meat, veg and sauce at the weekend. On a weekday morning throw one in the slow cooker as I leave for work and when I get home from visiting Tony there’ll be hot food ready for me. It’ll still make two or three night’s food, but that suits me fine.
Tonight I took some photos up to put on Tony’s wall, at his request. They made him tearful, but that’s ok. Marlow, the home’s cat, came in through his ranch slider and let Tony pick her up. She’s a Ragdoll but not very cuddly!
Tony and I moved in with Mum in 1998 when she got very sick. We were live-in carers for 14 years, until she moved to the rest home 6 months before she died. It was incredibly hard work some of the time, but a huge privilege few daughters get these days.
During that time I also personal care PoA for my aunt, who had dementia and needed a rest home apartment then secure unit, and finally hospital level care. Again, a lot of work. But Aunt J and I were close, and I was glad to look after her.
Within a year of Mum dying Tony had to retire due to ill health. By the time he retired he’d already had two or three surgeries. For the last year or two he’s been less and less able; the last 6 or 8 months have been pretty awful.
I’ve worked through all those years, and done my art. But suddenly I have, maybe not more time, but different time. My days are structured differently because I’m not juggling work, art and caregiving. Now it’s work, art and visiting Tony. By 7.30 at the latest I’ve seen Tony, had dinner, and the evening is mine.
At the moment I’m going to bed early quite often. It’s cold, but I’m also resting and recuperating – my own emergency surgery is less than 3 months ago.
I’ve spent most of the last 23 years listening for movement in the night, ready to get up and help Mum, then Tony. Since late last year I’ve been used to sleeping in 2 or 3 hour stretches, often only 6 hours a night. I’m learning to sleep through the night, although at the moment I’m often awake at 5 because I’m not used to so much uninterrupted sleep.
My work and art are important to me, but they’re not ME. It’s time for me to concentrate a bit more on me – on looking after myself, and on figuring out what the coming years look like. I didn’t expect to be living alone at 56, with a husband in the rest home, but it is what it is. I’m determined to make the most of it, whatever that light look like. T
he photos below are all of me, but none of them are me … that’s still a work I’m progress…
I’ve been talking with my friend Penny tonight and, as often happens, the art chat circled back to the roots of our addictive natures, which for both of us led to morbid obesity. We also talked about symbolism in our art.
Penny asked why the Patea freezing works and cool stores appear and reappear in my art, even when I’m seemingly concentrating on the Hokitika Gorge colours. It’s an interesting question.
When I was sitting on Alan’s lounge floor in Hokitika contemplating the series of abstract mixed media pieces I was working on I suddenly realised I’d been loosely drawing the shape of the cool stores.
I’m Patea born and bred and, at 56, have only lived away from here for a few years. I left at 18 and came back at 27. This is home. Growing up, the Freezing Works were central to our lives – Dad’s grocery business depended on them in some ways, friend’s parents worked there, friends expected to work there as generations before them had.
The freezing works dominated the landscape as we drove into town from the south – a symbol of home in the same way the maunga is. The freezing works is long gone, demolished after a fire. The cool stores remain, long-abandoned and heavily graffitied.
My addictive nature has its roots in pain essentially, according to Dr Gabor Máte in his book “In the realm of hungry ghosts; close encounters with addiction” and more recently the movie “The wisdom of trauma”. I’ve talked about some, but not all, of that pain before so let’s put that aside.
For me the freezing works and cool stores symbolise home – not just my town or the family home – but Mum, Dad and my sister. They stand for love and safety or, to put it into an addiction/pain context, those buildings represent anti-pain. No wonder my mind pulls fragments of them out all the time…
Tomorrow I’m having a gastroscopy to check if the ulcer that caused my perforated bowel back in April has fully healed yet. The surgeon who repaired the leak will be doing the procedure, which I’m grateful for.
He’s patient and professional, and happy for me to listen to Pink on my phone while he works. The music helps me zone out, because having a camera shoved up your nose and down into your stomach without sedation isn’t much fun.
Last time I had it done, in 2017, there was a medical misadventure that ended with me on life support due to Aspiration Pneumonia. The photo below is the immediate aftermath. That blog post is here https://cathsheard.wordpress.com/2017/05/07/hospital-dramas/. We’re all determined this time will be drama-free! I’m hoping the ulcer has completely healed, so fingers crossed.
2017 – in ICU recovering from aspiration pneumonia
My art journals are somewhere to download the thoughts in my head without fear of judgement. The pages don’t have to make sense, be pretty or be “art”. They just have to feel right to me.
I use a very intuitive process in my journals, just as I do in my artworks. For me it’s as much about the doing, as the result … it’s more about process than anything else.
Tonight I’ve finished a small black Dylusions journal. I used lots of Dylusions Shimmer paint and Shimmer spray, shaped the page edges and cut peep holes, and generally had fun. I love the final result.
Cath Sheard Art 