Cath Sheard Art

Category: Uncategorized

  • Pausing, resetting, something!

    Pausing, resetting, something!

    I’m not sure what to call it, but I’m taking 2026 off from selling my art, perhaps even from exhibiting. There’s a number of factors driving the decision, which has been forming for a while.

    I’ve been selling on Felt for a couple of years and love it as a platform, but it does best when you drive people there via social media and I’m on social media less and less.

    Sales this Christmas have been poor, which makes the time and effort involved not worth it. There’s other things I’d rather be doing with my time if the payback isn’t there.

    The rise of AI, image theft, and all that bad stuff, has seen me deactivate FaceBook, delete Instagram and TikTok, and so on. I’m still on Bluesky as it feels safer, for now anyway. Leaving those sites decreased my audience, but it’s at a time when TikTok is changing art marketing so it’s performative, which I hate.

    As a side note, there’s increasing online dissatisfaction with how TikTok is making adult colouring, reading and other relaxing hobbies into performative over-consumption.

    What’s my plan for 2026? It’s loose yet, but my main goal is to spend the year exploring new directions, rediscovering what I love most when saleability isn’t a factor, and create for the joy of it. I’ll do online courses, explore various media, fill endless journals with experiments. Who knows what directions I’ll discover along the way.

    I’ve been making gelli prints ready for a course I’m starting 5 January
    I needed to make around 60 A5 papers, and ended up with over 280!
  • Enduring themes

    Enduring themes

    My best friend’s granddaughter is arty and discovering oil pastels. I’ve been finding papers for her to try and, in my art room search, found a couple of old Sennelier sketchbooks. They didn’t suit how I work, so had been abandoned. The pages are perforated so I’ve removed my old work and Sandra’s handing the sketchbooks onto J.

    The pages I removed were mainly gelli plate prompts. It looks like I was using masks to print directly onto the pages. What’s interesting is, despite being perhaps 6 years old, there’s many of the same shapes and marks I use now.

    I’ve been cutting the pieces up and using them for collage in a small 5×5” journal. I like seeing that history reimagined.

  • More small steps of (re)discovery

    More small steps of (re)discovery

    I am rediscovering parts of my art practice after 5 years of decreasing art time due to Tony’s poor health. People assume, when a loved one goes into a rest home, the one left at home has a normal life again, but that’s far from the truth.

    I used to do a lot of collage but had gradually all but stopped, except in mixed media. Yet collage is a low stress, low cost way of training your eye and brain to recognise what you love to see, and love to create. It’s a useful tool, but it’s also just good fun … not everything has to have an end goal.

    I’ve also realised, probably due to time pressure, I was only creating landscape focussed pieces in my art journals. I haven’t been exploring shape and composition, or mark making, for its own sake.

    Today I played and it felt good to be going back to a more holistic art practice. I’m seriously considering putting my Felt shop on hold after Christmas and spending the year concentrating on refilling my art cup to see where it leads in terms of work I make.

  • Practising the basics

    It’s always useful to practice basic skills like colour mixing, composition and mark making. I’ve been slowly coming to the realisation that I’ve lost some of my own style, especially in terms of mark making. There’s a couple of reasons for that, which it’s probably not useful to document.

    How to fix it? De-influencing myself through less time watching other artists online. Looking at other artist’s work is fine but, for me anyway, watching them work is often detrimental unless it’s a specific technique I want to learn.

    The other thing I’m doing is practicing the basics by colour mixing, inspired by Sarah Renae Clark’s Colour Cubes, then doing a small piece in those colours, an idea I got from Denise Love. That said, I’m making a conscious effort to use my brush strokes and my marks to ensure the hand of the artist shows.

  • A surprise in the mail

    In October & November I had work in the Awagami International mini print exhibition in Japan. I received a highly commended and the work, Summer nights in the New Zealand bush, sold.

    Yesterday I came home to a package from Japan – a lovely certificate, the exhibition catalogue with my name listed under Juror’s Choice, a letter and some beautiful paper to print on.

    The exhibition had 1,067 artists from 58 countries enter 1,524 works and over 1,200 people visited the gallery. I’ll be entering again in 2027.