Cath Sheard Art

Tag: abstract landscape

  • A little creativity

    Tony & I nursed Mum for 14 years. After she died I didn’t create any finished art pieces for about 18 months. I expected the same to happen when Tony died. I’ve been prepared to spend my time creating in my art journals, relying on Dina Wakley and Dyan Reaveley for inspiration.

    Tony passed away three weeks ago tomorrow night. Last night I decided to put together a large concertina journal using Hahnemühle Bamboo Mixed Media paper. I figured it’d probably sit around for ages, unused, but making something was a positive step.

    Alan went to work early this morning, and I had some time at my desk before Sandra and I went out, then a few hours on my own once we got home. I, not sure where this is going, but there’s art happening and I’m amazed.

    I was talking to my good friend, and fellow artist, Pen Kirk about why it’s different this time. I feel I’ve had better self care throughout because I’ve “been there, done that”l also, I’m older, so have more life experience.

    Talking to my sister later, she remarked “Alan’s pretty helpful. Wasn’t Tony getting unwell by the time Mum died?” and both of those things are true. I’ve been fortunate to have Alan’s support the last few years, whereas in the final years with Mum Tony was already struggling.

    It’s great that I want to create already, but I won’t be putting any pressure on myself to create finished work. Whatever I do is ok…

  • Process; back to basics

    I completed my Dip Art & Creativity (Hon) back in 2007 or 2008 – it’s a long time ago. One of the things I learned during that journey was I am fascinated with the edges of my work, my works involves memory, and I am process driven. The memories and process are more important to me than the final look of the work.

    Pen Kirk and I have done a couple of joint exhibitons which have been very process driven, and I’ve found that a wobderful mix of easy and challenging. The work I am doing on my own has been less successful; I’ve been thinking about why, and doing some research. I’ve watched some of my favourite artists on YouTube, and a new one Marabeth Quin. And there it is – I’ve moved too far from memory and process which are my key drivers, thinking too soon (and too much) about what the final work will look like.

    I thought I was ready to start a new body of work. I am in the sense I know what it’ll be about, but my “aha” moment is that I shouldn’t break out the lovely new wooden panels I’ve got just yet. I’m committing to filling at least one journal, maybe two, with playful experiments, without referring to photos of the areas, so I work from memory and with no expectation about the finished pieces.

  • #cjs20 day 23

    The artist for day 23 of #cjs20 was John DuVal, a painter who specialises in watercolour. He captured the light and the feel, more than the details, and that appeals to me. Initially I wasn’t going to try it, even though I do landscape painting. Tony asked why not and I didn’t have a good reason! I’m pleased I did because actually his approach suits me.

    I visited Pukakaiki, on the West Coast of the South Island,  in December with Alan and was fascinated by the rock formations. This small watercolour is based on one of the photos I took.

    day 23 John DuVal

  • Gelli prints layers

    This evening I’ve started to put together some samples for the gelli print landscape class I’m teaching in Greymouth in early December. This is only the first layers, they have a long way to go yet.

    I’m using the traditional colour set in the Golden Open paints. I also added some Titan Pale Green, which is one of my ‘go to’ colours. Open are lovely to use, give more working time, and react well when sprayed with water for a different effect. They’re also a lot dearer than the normal Golden paints unfortunately.

    The class is being held at CoRe, through Left Bank Art Gallery … contact them if you’d like to book a place. Bookings are essential because I’ll be preparing class packs for everyone, and numbers are limited so I can give people enough time and attention.