Cath Sheard Art

Tag: abstract landscape

  • Getting the vision clear

    Getting the vision clear

    This painting started with fairly angry marks in water soluble crayon and R&F oil drawing stick. I added acrylic ink and paint in yellow, orange and red. I left it to dry, unsure what was needed next.

    Eventually I added very directional, quite thick, blue and white lines. The paint needed to dry, so it’s been sitting for the last week – the oil drawing stick still hasn’t dried thanks to our winter weather.

    As I’ve been looking at it through the week I’ve felt more and more that it’s related to the winter weather, and the rough sea. Today I started calming down the yellow and orange areas, pushing them back so they’re more sky-like. It’s not there yet, but the direction feels clearer.

    This is how it was looking at the start of the weekend
    This is where it’s at as the weekend comes to a close
  • Art reflects the world

    Art reflects the world

    My art is usually about my inner landscape, the seen landscape, and the remembered landscape, reshaped into a unified whole. Except at the moment there’s not a lot of unity.

    The world is a bit of a bonfire. Ok, more than a bit. In many ways it more like a giant dumpster fire, with an endless fuel supply. There’s little unity between people, countries, regimes…

    What does that mean for my art? I’m still creating semi-abstract landscapes but there’s a chaotic energy about them. The land is fractured rather than peaceful. The landforms are bitsy and broken. I’m testing out using a limited triad colour palette, and that’s helping to create a little unity.

    On own land, on the other hand, is an oasis of calm … green paddocks, dense bush, a river, and contented cows. Is it out and out idyllic? No. There’s a lot of work to be done, and that’s ok. We have time, and it feels good to be out in nature away from the chaos of the world.

  • Enjoying the landscape

    Enjoying the landscape

    I’m looking at the landscape with no expectations about outcome: just thinking about shape, colour, light, combinations of materials. This year is about play, not outcomes. This relaxed attitude seems to be pushing me further in both directions – abstraction and realism.

    This one’s been out aside while I contemplate next steps

  • A little creativity

    Tony & I nursed Mum for 14 years. After she died I didn’t create any finished art pieces for about 18 months. I expected the same to happen when Tony died. I’ve been prepared to spend my time creating in my art journals, relying on Dina Wakley and Dyan Reaveley for inspiration.

    Tony passed away three weeks ago tomorrow night. Last night I decided to put together a large concertina journal using Hahnemühle Bamboo Mixed Media paper. I figured it’d probably sit around for ages, unused, but making something was a positive step.

    Alan went to work early this morning, and I had some time at my desk before Sandra and I went out, then a few hours on my own once we got home. I, not sure where this is going, but there’s art happening and I’m amazed.

    I was talking to my good friend, and fellow artist, Pen Kirk about why it’s different this time. I feel I’ve had better self care throughout because I’ve “been there, done that”l also, I’m older, so have more life experience.

    Talking to my sister later, she remarked “Alan’s pretty helpful. Wasn’t Tony getting unwell by the time Mum died?” and both of those things are true. I’ve been fortunate to have Alan’s support the last few years, whereas in the final years with Mum Tony was already struggling.

    It’s great that I want to create already, but I won’t be putting any pressure on myself to create finished work. Whatever I do is ok…

  • Process; back to basics

    I completed my Dip Art & Creativity (Hon) back in 2007 or 2008 – it’s a long time ago. One of the things I learned during that journey was I am fascinated with the edges of my work, my works involves memory, and I am process driven. The memories and process are more important to me than the final look of the work.

    Pen Kirk and I have done a couple of joint exhibitons which have been very process driven, and I’ve found that a wobderful mix of easy and challenging. The work I am doing on my own has been less successful; I’ve been thinking about why, and doing some research. I’ve watched some of my favourite artists on YouTube, and a new one Marabeth Quin. And there it is – I’ve moved too far from memory and process which are my key drivers, thinking too soon (and too much) about what the final work will look like.

    I thought I was ready to start a new body of work. I am in the sense I know what it’ll be about, but my “aha” moment is that I shouldn’t break out the lovely new wooden panels I’ve got just yet. I’m committing to filling at least one journal, maybe two, with playful experiments, without referring to photos of the areas, so I work from memory and with no expectation about the finished pieces.