Tag: abstract

  • The sea is on my mind

    The sea is on my mind

    My paintings usually reflect the land, both seen and remembered. They’re abstract or semi-abstract works about vision, memory, and feelings. They reflect my inner landscape as much as the actual landscape.

    Sometimes I produce work after work without being sure what they’re about. I just keep going, confident I’ll know in time. There have been times when others have recognised the subject before me.

    A long time ago I was showing my sister’s ex-husband a series of works. He said, “so you’re painting the Pātea freezing works and cool stores”. I could see it once he’d named it. He’d worked there as a uni student and recognised the buildings.

    In other cases it’s only by painting and painting and painting that I come to know. A couple of years ago I consistently painted the same general landform and a shape that was clearly a cross or sword. Eventually I knew … long story.

    I started a large canvas a couple of weeks ago and add to it whenever I see/feel something it needs. Today I started a second, smaller canvas, and found myself using the same colour palette and marks. Why? What does it represent?

    It’s the sea! I feel there’s a couple of drivers. I’m working on Bird Flu prep at work, so thinking about sea birds, the shoreline, and impact on sea mammals. We’ve had some big storms, and I’ve been thinking about climate change and the way the sea is changing. My brain’s way of processing it is to get it out onto paint or canvas.

    Early layers on a smaller work
  • Process; back to basics

    I completed my Dip Art & Creativity (Hon) back in 2007 or 2008 – it’s a long time ago. One of the things I learned during that journey was I am fascinated with the edges of my work, my works involves memory, and I am process driven. The memories and process are more important to me than the final look of the work.

    Pen Kirk and I have done a couple of joint exhibitons which have been very process driven, and I’ve found that a wobderful mix of easy and challenging. The work I am doing on my own has been less successful; I’ve been thinking about why, and doing some research. I’ve watched some of my favourite artists on YouTube, and a new one Marabeth Quin. And there it is – I’ve moved too far from memory and process which are my key drivers, thinking too soon (and too much) about what the final work will look like.

    I thought I was ready to start a new body of work. I am in the sense I know what it’ll be about, but my “aha” moment is that I shouldn’t break out the lovely new wooden panels I’ve got just yet. I’m committing to filling at least one journal, maybe two, with playful experiments, without referring to photos of the areas, so I work from memory and with no expectation about the finished pieces.

  • Detour #2

    This is the other painting I completed yesterday. I can tell you the sky today does not look that good; it’s uniform gray, wet and miserable…
    This one is 10×10″ on gallery wrap canvas and is for sale on my Etsy site.