The piece I’m working on was looking quite ‘pretty’ but I knew it needed an ancient wall. This meant trusting my instinct and being prepared to act – something I have been not so good at in recent times. with my art This afternoon I took a deep breath, made a mask, grabbed some brown and black inks and started making an ancient wall right over the top of the some of the prettiness. It feels good to be trusting myself to grab paint and go for gold. Here are some detail shots (in reverse order – oops)
Tag: abstraction
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More progress – details
Here’s some late afternoon shots showing the progress in wee patches of detail. The layers now include very dilute fluid acrylics, heavy body acrylic and spray inks.
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Progress shots
For once I am remembering to take rough ‘n ready photos as I work through the many, often ugly duckling, stages of a mixed media painting. The photos are quick, crooked and poorly lit, but are enough to show the process I work through, and are in order.
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Preparing to paint
I’m sending work to the Legato exhibition in Cassino, Italy, in 2014. I’ve been playing with ideas for a while, but nothing has worked as I wanted it to. The problem has been my head-space rather than my actual art practice. Last night I think I finally got into the right place mentally to get on with it. Fingers crossed.
Legato is now an established part of the annual WW2 Battles of Cassino commemorations held in Cassino, Italy in May each year. The 70th commemorations will be a special time with surviving veterans, international dignitaries and families of veterans participating as well as the local Italian people who are committed to remembering and honouring the people who were there during WW2.
I have some full size sheets of watercolour, a bucket of water, a couple of photos, my memories of Italy, some stencils, inks, fluid acrylics, brushes and a new roll of handytowels. Oh, and my camera. Here’s a few visuals of what’s involved.
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Gelli plate landscapes
I needed to get some art time in, so I shouted myself an online course with Carla Sonheim. I own one of her books and love it, and when I saw that she had a course on landscapes using a Gelli Plate I couldn’t resist. I’m loving the course and will be doing it all over again with a friend in a couple of week’s time. Here’s what I have done today; each piece has been back to the Gelli Plate probably 7 or 8 times. I love the process she teaches, and her calm approach. I may yet work into these a bit more, but need to really look at them first.


















