Cath Sheard Art

Tag: art practice

  • The magic of colour mixing

    The magic of colour mixing

    I’m trying out a new colour palette and, inspired by Sandi Hester on YouTube, added a couple of colours I don’t usually reach for.

    The colour palette is:

    – Cadmium-free yellow light

    – Yellow oxide

    – Cadmium-free red light

    – Quinacridone magenta

    – Brilliant blue

    – Ultramarine blue

    – Parchment

    – Burnt sienna

    – Raw umber

    – Emerald

    – White and black

    The new colours are emerald, brilliant blue and cad red which, for some reason, I’ve normally avoided.

    I’m using one of the Gordon Harris A4 mixed media sketchbooks to colour swatch in. I’ve mixed each colour with each colour, and then added black and white to those mixes to see what it creates.

    As I go, I clean my brush off randomly onto copier paper. I glue a section of that paper to the page so I can see what the colours look like together. The rest of the painted paper goes into my collage folders.

    When I look through those dozen pages and at the sections of painted papers, you can really see the different feel each colour brings. It’s a great way to see the variety of colours you can create.

  • Going back to go forward

    I’ve talked about this before, but didn’t get any forward momentum … until now.

    My art journals were always a combination of the ‘craft’ side of art journaling that grew out of scrapbooking, and a place to learn about materials and develop ideas. For lots of reasons, they became almost solely product-based; Tim Holtz, Dyan Reaveley and Dina Wakley.

    I miss the part of art journaling that’s internally driven, and know the habit was good for my art practice. Projects such as the tiny squares help, but the scale is limiting.

    I started following Denise Love on YT recently. I like what she creates but I *love* her art practice. After a few weeks of watching, I had an aha moment (no one can accuse me of being a quick thinker!). I ordered a Color Cube from Sarah Renae Clark – I’ve been seeing a lot of artists use them and knew it would help.

    I’ve started two new art journals, both my fav small Dylusions ones, and am doing seperate but connected projects. I’ve set an additional rule that, aside from setting up the colour swatch pages, I can only use my neglected StencilGirl or other stencils. No reaching for my Dina Wakley or Dylusions ones as they’ll take me back to my usual post-scrapbook style again.

    In the first I pick a card then choose two of the colours and swatch them onto pages I’ve prepared with Dylusions stencils or Dina Wakley Stamps so there’s a framework to work in. On the right hand page I do a small piece using just those colours.

    In the second journal I choose a card, and record the six colours on the left hand side then do a small on the right.

    My aim? More practice with colour mixing, developing my mark making, exploring my interests in shapes and composition, and hopefully working looser.

  • Repurposing supplies

    I love scrapbooking. It might not be ‘trendy’ anymore, but I enjoy recording our lives, documenting what I know of old photos, and generally playing with paper, scissors & glue. I was a tutor for a national scrapbooking company so had access to all the newest supplies; one of my favourites was Basic Grey

    I was tidying up some supplies today and found my stash of old letters. Some of the self-adhesive ones aren’t any more. and I had quite a lot of Basic Grey heavy paper letters left. All the useful letters like a, e & s are long gone, and I’m left with a pile of g, x and q! 

    I was going to throw them out but suddenly realised I could repurpose them. Out with my 16×20 Gelli plate and some Gold Open acrylics. I put down one colour, then used the letters as masks and pulled a print – the yellow one shows what this looks like. I removed the letters, put down a fresh colour, more letters and overprinted; I did three layers on each.

    The page that looks a bit like old leather is where I pulled the leftover paint off the plate each time. I’m not sure what I will do with these yet, but like the look, and have tucked the paint covered letters away to use another day. 

  • cjs18 the month that was…

    This is the third time I’ve done #cjs (or 4th?). I love it – it gets my year off to an arty start, teaches me new processes and techniques, and I get to meet and reconnect with amazing artists from all over the globe. Fantastic! Huge thanks to Nathalie Kalbach for bringing it altogether. It’s well priced, and you can download the videos and refer back to them all year-long. Here’s a look back at the pages I did each day in January; some things I won’t do again, or seldom anyway, other techniques and processes will become part of my current art journal practice.

  • cjs18 day 1 – Mystele

    This is the third time I’ve done CJS (Creative Jump Start). I love starting the year with daily art, learning new things and being inspired by amazing artists from around the world. You can find out more on Nathalie Kalbach’s website.

    The first daily challenge went up this morning. As this is a paid workshop I won’t share all the details…

    I followed Mystele Kirkeeng’s lead fairly closely. Early on, I decided I didn’t like to woman I’d drawn and was about to start again when I realised that would be against the theme of ‘play’ so I just kept going, and am ok with the final result. It’s quite different to what I normally do, but I can still see my hand in it – so yay for day 1!

    day 1 mystele k