Cath Sheard Art

Tag: landscape

  • When a journal disappoints

    I was excited to get a couple of Stillman & Birn Delta journals on sale – they’re expensive here in New Zealand so had high hopes. I chose 7×7” Delta because they have heavy weight 270gsm which the website says is ‘ideal for wet and dry media, including watercolour and ink’.

    I taped every second page because I like a clean border, but also enjoy a more organic edge sometimes. I want to love my new journals, but don’t. The paper pills easily when you use water, so washes have spots in them. Even with heating the tape prior to pulling it, the paper tears easily. They’re just not great for the way I work, and at that weight I expect the paper to be more robust.

    Putting that aside, I visited Ethel Anne Antiques in Hāwera today. They’re running a pop-up shop with 60% off. I picked up four music score books for just $12. I’ll be going back to find maps, more music and maybe an old textbook or two. The owner is lovely, and was happy to chat about what I’d be doing with the music. Like me, she loves seeing old things given new life, rather than ending up in the rubbish.

    I came home and gelli printed on a few pages to get started, then grabbed one of my collage landscape journals. New papers inspired me and I completed about 8 pages in a row. I can see some themes emerging, as is often the case when I work in a hurry.

  • What we love vs what inspires

    What we love vs what inspires

    Alan and I went bush for the weekend. I love being out in nature – trees, hills, quiet, no power or cell cover. No other people. Listening to Morepork at night, watching Tui during the day. Bliss!

    I knew Alan would be doing his thing during the day. We both accept I have limited physical capacity some days. I had prepped two small art journals, and took water soluble crayons and pencils, and a few other bits and pieces. The journals are a new brand for me, and turns out the paper isn’t as durable as I like despite being a bit dearer than some of my fav journals. I bought them to try because they were 30% off. I also wish I’d taken actual watercolours, but both those problems are incidental.

    What’s fascinating, as an artist, is while I absolutely love being in the bush it doesn’t inspire me to paint in the way I expect it to. It might just be that I haven’t done enough to loosen up and create the sort of work I like, but I’m also not sure I want to. And yet when I go down South I find the water, and the colours of the Hokitika Gorge, inspire me to create over and over and over.

    What we love, and what inspires us to create, are not necessarily the same thing. Why? I have no idea really, but I’m mulling it over. In the meantime, here’s some samples of the pages I did do…

  • What makes a landscape?

    Sometimes I veer off into florals, faces, or other distractions, but my deepest artistic love is the landscape. Memories of the landscape, fragments of the landscape: colours, shapes, shadows, glimpses…

    I’m interested in what makes something read as landscape. Is it the colours? Shapes? The way things are stacked up from land to sky? I’ve been exploring the idea in small 6×6 collages. As with any series, they’re getting looser and more abstract as the series progresses.

  • A proving ground

    My journals are a safe place to play but also somewhere for ideas to prove themselves or die… Sometimes an idea isn’t sustainable for practical reasons, perhaps because of the materials or energy required.

    Other times I start to play with an idea and, 2 or 3 iterations along, I’m getting bored with it. If an idea is going to become a series, even a small one, it’s needs to hold my attention for a sustained period of time.

    There’s been a couple of things recently I’ve tried and dropped for the above reasons. So I’ve gone back a bit to go forward – relooking at ideas that have captivated me in the past, and putting a fresh twist on them.

    I’m playing with ridge lines, mountains and the landscape generally. Because it’s a familiar subject I’m able to play around with my materials more. These early trial works incorporate gelli prints, acrylic paint, acrylic ink, water soluble pencils, Kuretake watercolours and Ranger Distress Foundry Wax.

  • Staying with the process

    I committed to filling at least one art journal with ideas before starting on ‘good’ paper or wooden panels.

    Today I made a huge pile of gelli prints using leaves and grasses then accidentally spilt about 1/3 of a bottle of green ink on the pile of prints. They’re mainly ok though, and some of the layers are magic.

    I’m still working on my small Venezia journal and have taped borders on every second page in the A4 size one.

    I seem to be flipping between abstract and semi realistic. I know why … and it’s holding me back. I need to stick more firmly to my own artistic voice.