Cath Sheard Art

Tag: landscape

  • Old house – latest Art Guild challenge

    You might remember that a few posts back I showed you the reference photo for the latest NZ Art Guild Challenge. At the time, I was sure it was the colours that would inspire me – and I was right. I tackled the subject twice today; once in acrylics and once with ink, oil pastels, soft pastels and acrylics. Neither are an accurate representation of the image and in one I have moved windows, resized some parts, generally messed with it a bit. In the second I was thinkng mainly about colour blocks, the Impressionists, ghosts (don’t ask!) and light.

    For me the NZ Art Guild challenges are a great opportunity to tackle a subject, style or material/s I might not normally go for; a chance to have a creative play with no real pressure. So here are my two most recent entries:

    001

    002

  • Does your art have a particular style?

    I recently purchased Alyson Stanfield’s book “I’d rather be in the studio” because I want to sharpen up the business side of my art. Why Alyson and why her book? Some of the artists I follow who seem to really be doing the business, as well as making the art, recommend Alsyon. For me, that personal recommendation is important. One of those artists is Tina Mammoser, The Cycling Artist; reading about the work she puts in to her business, while retaining her passion, is very inspiring.

    One of the things Alyson talks about is recognisable style. I stopped reading at that point and grabbed by visual diary for some note taking. Do I have a real style yet? Do I want to have one? If I do have one, do I even know what it is? If I don’t, should I be thinking about marketing yet or not? These are a hundred other questions…

    Today I spent some time looking at photos of my paintings and through my visual diaries – a sort of virtual tour of my art history. Looking for a style; my style. Did I find one? I am not sure yet. Maybe. There are certainly some pointers along the way. What would the words be that describe that style? Again, not sure, but the beginnings of some words are there. Words like mark making, expressive, abstract, landscape, orange, transparent.

    So then I thought, okay, of all your paintings is there one that you really feel represents what you want to achieve? The answer night me different tomorrow, but for today anyway the answer is this one. 10×10″ acrylic on canvas, long since sold via a local gallery to a Wellington-based New Zealand film director. And no, I don’t think it was Peter Jackson! (although it may have been for all I know) Why this one – the quality of the marks, the landscape is there but not explicit, the sense of light on the land.

    Where am I at then? Thinking, thinking, thinking – and keeping notes as I go. It’s a good process.

    remembered_landscape #4 lg

  • Mapping the land; experimenting with paint

    Mapping 2As you know from a couple of posts back, I have become increasingly fascinated with Aboriginal art, especially the idea of mapping the land. I’ve cuts lots of pictures out of magazines, downloaded art and maps from the net, made some sketches. Generally just started to build up some reference material in my new visual diary.

    Today I started in using some paint in my visual diary. Thinking about the shapes of Taranaki where I live, edges and boundaries, about topography and how we represent where we live. One painting I am happy enough with as a starting point, the other doesn’t even begin to express what I was looking for, it’s too – hang on, that would be giving the show away. It’s okay that I’m not happy with one of them, because the diary is just my sandpit for messing round in. Can you guess which one pleases me?

    Mapping the land 1

     

  • Finished :-) Landings #1

    Landings #1
    Landings #1

    Finally, despite distractions such as a sick dog, I have finished and varnished a painting I started weeks ago. This is 10×10″ on gallery wrap canvas. It was done in the heat of summer, thinking about our beautiful landscape. It will be for sale on ArtFire very shortly.

  • Playing with acrylic & mediums: Golden Landscape 7

    I have been working on some small 4×4″ canvas again, in a continuing series, this time using more mediums and a high gloss resin-type glaze over the top. The series alludes to, but does not replicate, the land I see around me here on the West Coast of New Zealand. The strong hot colours refer to the weather we are having at the moment – really hot and quite dry. I love working in this format; I can put 4 or 6 canvas on my desk and work on all of them at once, so that there is a relationship between them.

    I use mainly Golden products – in this case I used light modeling paste, pumice gel, garnet gel, gesso, and a then gloss glazing medium.  The colour is all Golden Fluid acrylics – I buy the small bottles and just love them. When I first get them I smear some of the colour on the lid of the bottle so I can see the colours when they are all standing in the drawer they’re stored in – saves me picking up the bottles and checking the colour as I work. I put the paint on with brushes, my fingers, a palette knife, a sponge and even a syringe I got from our local vet. My hands always tell the story of what I’ve been doing, what colours I’m into at the time…

    Works in this series are for sale in my Etsy store. golden-landscape-7