Cath Sheard Art

Tag: mixed media

  • Signs

    Sometimes my journal pages are obviously about a particular thing, other times I’m not sure where the words have come from – maybe a song, a conversation I overheard, part of a dream. I am not sure where this came from; possibly a conversation I had tonight with my best friend of forever (ok, 50 mumble years) in which my late Dad was mentioned.

    Large Dylusions journal. Sprays: Squeezed orange, Crushed grape, Tangerine dream, Bubblegum pink. Paint: White linen, Funky fuchsia. Stencils: Diamonds in the rough (lg & small), Shutters. Stamps: Dy’s alphabet. Other. Stamps: Tim Holtz – Tall text, Visible Image – Dare to be different, Tim Holtz – Entomology. Pitt Big Brush pen, Archival ink, Distress collage medium, white gel pen.

    looking for signs 20190811

  • An iterative process

    Developing a body of work is a strongly iterative process for me. I start with an idea and play with it, refining and revising until I have a huge pile of works, especially if I’m working on paper. Perhaps only 30% of those works will make the final cut.

    The final works often bear no resemblance to the initial ones; sometimes I can only ‘feel’ the linkages, not really see them. But the linkages are there, because each work is a visual representation of the ideas in my head. When I am deeply engrossed in a body of work there are repeating colours, shapes, lines and patterns that appear over and over, often without my being aware of it at the time.

    My process is really about the process, not the final image. A lot of my current works are small – either A6 (4.5×6”) or A5 (9×6”) on beautiful Hahnemuhle watercolour paper. I might have 10 or 20 pieces of paper on the go all at once. I put down colour on each piece in layers, then work back into them making marks, adding patterns or collage – back and forth amongst the pile, strewing them all round me as I work. It’s messy and intuitive.

    Choosing pieces for on the advertising ahead of time is stressful because I don’t know what the final works will be. But choose I must – and I have. Dimmie, who I am exhibiting with, is going to produce the poster etc with her awesome design skills.

    The photos show some of the possible works, and a pile of works I’ve done to date. 

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    hokitika gorge works.jpg

  • Well, that pushed my buttons

    The journaling on this page tells the story!

    This is the first layout in a new 5×8″ Dylusions journal – I love the high quality stock for working on. I used Dylusions paints (Periwinkle blue, Vibrant turquoise, Mushy peas), stencils (Diamonds in the rough, Teardrops, Squares) and stamps (Dy’s alphabet), letter stamps (Tim Holtz tall text), Pitt Big Brush pen in walnut, Distress Ink in black soot for the edges of the journal strips, Ranger Distress collage medium & Tombow Mono adhesive. The image is from an old magazine – I keep files of people, buildings, angels, religious icons and flowers.

    values 20190622.jpg

  • Gelli-ing in Greymouth

    I’m teaching a couple of art classes in Greymouth next month, so I’ve been busy putting class packs together. I love gelli printing because it’s something anyone can have fun with, regardless of artistic or physical abilities. There’s no toxic chemicals and you don’t need a lot of time or materials.

    I thought I’d share a few fav prints from the last two or three years; as you can see, gelli printing can produce a wide variety of styles. Some prints I keep as artworks in their own right, some become the base for mixed media works, some become part of collages, some I cut up and use when I’m making cards.

     

  • Wishing

    I’ve got a friend who constantly wishes their live was different, but can’t quite take the steps needed to make the changes they want. They tried to change their life more than a year ago but didn’t fully commit to it, so of course it didn’t work out. I firmly believe the Universe can only act when we are 100% committed in words and actions. If we’re unclear, the Universe can’t act. So often, the things we want are quite ordinary and well within our grasp if only we’d step out in a mindset of trust.

    This page was done in my Dina Wakley mixed media journal. Supplies: Golden fluid acrylics (Teal, Paynes Grey, Indian yellow, Alizarin crimson), Derwent Artbar, Stampendous Aged Embossing powder, Tim Holtz stencil, Ranger Distress collage medium, Pitt Big Brush pen (walnut), Tim Holtz collage words and figures.

    our wishes 20190609.jpg