Cath Sheard Art

Tag: pastels

  • What I’m reading

     

    I’m finding this more academic than I expected but loving it all the same. I’m particularly taken with the Wolf Kahn and Hans Hoffman works, and some of the gentler abstract expressionist works.  I sometimes forget what a profound impact colour has on me though. I read this till about 10pm then spent half the night with possible paintings dancing in front of me, and vivid colour schemes making my brain as far from relaxed as I could possibly get!

    I’m wanting to do a new, large-scale, painting for our kitchen and am thinking about really strong colours along the lines of those used on the book’s cover. I might even work in pastels instead of acrylics for a change. We’ll see … I need some peaceful sleep first though.

     

  • Playtime in my art studio

    It’s not often I get time alone at home; being full-time carer for my Mum means that I almost always have someone at home with me. On top of that, during the week we have two different caregivers coming in and out, etc. I value their help, we could not manage without them and both still work, but it’s more people in my days. For a real introvert, this is not always easy. Today my husband Tony has gone to visit his cousin Alison and my sister Ailsa has taken Mum out for a drive. So it’s just me, the cat and the dog. Bliss! I love my family and would not change my life for anything, but I do crave time alone.

    So what does an artist do when they get some unexpected time out? Yes, that right, they head for their studio … and I did. I have started on some backgrounds, just playing with texture, colour and pattern. I’ve also done a few small, connected, abstract landscapes using my favorite Unison pastels.

    I love the feel of pastels plus there’s such a depth of colour; I enjoy the way the light hits those fine particles of pure colour. The only downside for me is that if I use them too much the ends of my fingers get sore from wiping them clean all the time. I try not to be too compulsive about keeping my fingertips clean and that helps!

    For the backgrounds I gathered up foam stamps, liquid acrylics, a white wax crayon, rubber paint spatula, letting stencils and some scraps of patterned paper. I fairly randomly layered the colours and patterns on. These are nothing finished about these at all – they are very much at the beginning stages so it’ll be fun to see what develops over the next few days.

    Now I am going to sit down in the sunshine and start working with some ideas I’ve had for Christmas gifts. There’s less than 3 months to go, and I want to make one or two textile items for family members. Fingers crossed that my new glasses give me sharp enough focus for doing needlework. Time will tell…

    Starting on some backgrounds; these will uncurl as I add more layers.
    Working on small landscapes in pastel.
    I love the way Unison pastels catch the light.

  • Lots of little trials

    Yesterday I spent a few hours doing more than a dozen 16x10cm tests on Bockford paper using fluid acrylics, pencil, pen, oil pastels, pastels and Indian Ink. As usually happens, I started off quite tight, drawing what I could see. Then, as I got used to the image and the shapes, the works got looser. There are a couple that are heading in the direction I want – both have at least some of the hazy, layered quality I am looking for.

    These were all based on just one of the photos so there are more samples to come before I get to a stage where I am heady to bring out the canvases. Not that the paintings will be based on the test runs, but these wee works will certainly inform what I do, and help get my brain and hand familiar with the subject matter.

  • Looking at the lines, ready to start drawing

    fe 2fe 5I have been looking at my inspiration wall of photos for a couple of  days now. Today I chose about 20 favorite photos and used the “find edge” function in PhotoShop to have a closer look at the lines in them. It’s interesting what turned up; I have shared a couple of them so you can see what I mean.

    Tonight or tomorrow I will start drawing them in Indian Ink and pastels, concentrating on the lines and the bigger shapes. At the same time, I am rereading one of my most-used books on abstract art, thinking about the theory behind what I am doing. Thinking about the words, the layers of meaning and what I am bringing to this project.

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  • At the framers

    mt egmont pastelThis one is at the framers as my husband wants to hang it somewhere. Because it is for him, he took it t the framer and chose the frame, matt colour etc. It will be interesting to see the final results. It’s done on a half sheet of Colorfix using mainly Art Spectrum pastels.