Cath Sheard Art

Tag: photos

  • Latest Art Guild Challenge

    The most recent NZ Art Guild Challenge is this: If you are not already – become familiar with different styles and eras of art that encompass text in a fine art context; e.g. Modernist era (pop art, futurist, dada, expressionist, minimalist) or a contemporary context (mail art, computer/digital art, text as image)
    You may like to consider some of the following artists: Andy Warhol, Roy Lichenstein, Colin Mcahon, Ralph Hotere, Barbara Kruger, Billy Apple, Rene Margrite, Cy Twombly, Jasper Johns

    Create an artwork that encompasses one of the following categories:
    – Text as image: e.g. Billy Apple, graffiti, concrete poetry
    – Object and text: Choose an object and incorporate some text relating to this object – you do not have to be too literal!
    – Text and image: You can use text in an abstract way or in conjunction with abstract images/patterns or with landscape.

    I enjoy Cy Twombly’s work, and have been using more of my own photos as a base for works recently, so this is what I came up with. Mixed media: photo, calligraphy pens, white out and digital.

    I Love Patea.

     

     

     

  • Seeing inspiration in the everyday

    There’s no denying that our trip to Italy and Dubai was inspiring; I will be looking at the photos for years to come. Sure exotic people and far off lands are exciting as an artist, but we can’t be forever on holiday (not with my luck at Lotto anyway!).

    Much of my inspiration comes from the land around me – the buildings, paddocks, the distant view of Mt Egmont, the waves crashing into Mana Bay at Patea Beach. Places that are accessible and affordable to get to. I try to have a camera with me most of the time so I can take a photo when something grabs my attention, often because of the light. I have a semi-organised filing system on the computer for my photos and also save some to cd in case my computer ever dies.

    These two  images are a digital combination of three photos; Mt Egmont, the waves crashing into the sand at Mana Bay and a cabbage tree at sunset. When I play round with the images like this I’m not necessarily wanting to achieve a particular end result. It’s more about knowing the subject, feeling comfortable with the shapes and just letting them seep into my brain. I know that I paint differently – better and looser – when my brain really knows the subject and can let go of some control.

  • Crusade No. 41 – Grid Lock

    Most months I try to do Michelle Ward’s Crusade over at the GPP Street Team site. Crusade 41 is entitled Grid Lock – Michelle’s tips include a very cool way of marking out a grid on paper or in your journal. I decided to use this Crusade for a practical purpose. I have started dong a scrapbook of our recent trip to Dubai and Italy; I decided the album would be black and white cardstock only, with a little black and white patterned paper here and there. My favorite scrapbook shop sent me some lovely supplies but I hate cutting into “good” paper – silly I know. So, I have cut a sample of each piece of patterned paper and stuck it in the grids in my visual diary. Now the sheets are not “good” any more and I’ll get on and use them.

    If you haven’t been to Michelle’s sites before, why not pop across and have a look? And if you lurk but don’t join in, why not grab some supplies and have a try. Then have a look at all the other entries this month, they’re sure to inspire you. Don’t forget to leave a comment everywhere you visit, you’re sure to make their day 🙂

  • Starting on 56 6×6″ canvases

    As part of my deal with shareholders in the trip we made to Italy for the LEGATO exhibition, I now have to make 56 6×6″ paintings. They all have their newsletter with its full colour photos, so that’s a good job done. I want the works to all be individual but at the same time do not want to create unnecessary work for myself. My intention is to work on the paintings in batches, probably six at a time. I have ideas for the first 3 or 4 batches and am mulling over the rest, making notes as I go. The first batch, which I am going to start on later today, involve digital art printed out on rice paper, glued down with gel medium and then worked over with more collage and probably some oil pastels.

    Below is the digital work I have done so far. It’s made up of four photos initially. Then I have taken a photo of some poppies in the field and removed all the background so I have a field of floating poppies. I have layered this over the original digital collage for a sort of dreamy surreal effect. It’ll be interesting to see what happens when I start adding a few more collaged poppies over the top, then working in with the oil pastels.

  • Patea Freezing Works – Bare Bones IX


    Bare Bones IX

    In  my last post I talked about how I selected the colours for this series – a combination of the local light, the colours of our land and probably most importantly the colours that describe how I feel about the Freezing Works.

    I don’t normally work in such a high key palette but in working through Confident Colour, Nita Leland’s book, I realised that on many ways I prefer high key even though I tend to paint quite dark. I made a conscious decision to lighten up. It has been a tiring week and work, then this morning I got up and did  3 loads of washing and ironed 5 ambulance shirts, made our lunches, loaded the dishwasher etc then headed for my art room.

    Remember I said that the colours I am using are partly an expression of how I feel in my memory about the freezing works? Turns out they are also a reflection of who I am feeling at the time, which is no great surprise I guess. How do I know this. Because I painted for a couple of hours then roamed off to get a cold drink. When I came back to my art room – oh my goodness!

    This afternoon’s effort is dark and gloomy, despite using the same few tubes of colour as before. It is my use of them that has changed. Grey sky, gloomy buildings, dark shadowed land. Dreadful…so tomorrow it gets gessoed over and I start again.

    I did the only sensible thing I could do when I realised what I had done. I went into Mum’s room, where she was doing a crossword as always, and got into her bed for a nap in the sun (giving her strict instructions to wake me after 30 minutes). It’s amazing what a quick nap can do for your day. It’s funny, at the weekend I often have a wee nap on or in her bed while she reads or does the crosswords. Some of us never get over needing our Mum no matter how old we are…

    In the meantime, here is one I finished a couple of days ago now. It’s 16×16″ in acrylic on canvas and called Bare Bones IX. It’s for sale on my website here.