Blog

  • Completion as a creative process

    Completion as a creative process

    Helen Wells, on YouTube, talked in a recent post about the fallow period between projects where she tries out disparate ideas and gathers information. For her it’s a generative stage; divergent thinking enables her to find connections & interests. Then she moves to convergent action and thinking – focusing in.

    I recognise the divergent and convergent stages in my own practice but, for me, there’s another stage. Most, probably all, of my family is neurodivergent. While I don’t actively think of myself as neurodivergent, there’s certainly some pointers! One of those is a strong need to control my environment, particularly when I’m under pressure. There’s a lot happening at the moment, both in the wider world and in my own realm … not least that we take over the grazing block in less than a month.

    That pressure manifests in my art practice. I’ve been making small abstract landscapes using collage and mixed media, and love the process. I’ve got 5 days at home to do my own thing over Easter. Am I creating new works? No … instead, I feel compelled to finish anything that’s lying around, from paintings to art journals. Sometimes, while I wait for multiple pages to dry, I clean out a draw or cupboard.

    It feels good to complete things and start with a clean state. In one sense, this is solely completion, but in another way it IS an act of creation, because I’m creating the mentally and physical space for new works to emerge.

    Small handmade journals in the process of completion
    Detail from a long handmade concertina sketchbook
    This concertina sketchbook is about 5 feet long … 2 pages aren’t shown.
  • Sketchbook Revival 2026

    I follow Helen Wells on YouTube. She posted recently about Sketchbook Revival 2026, a free course in April to refresh your sketchbook practice. Heck yes! I love working in my sketchbooks so this was a no brainer.

    There’s a pre course class where you make a book to use for the course if you want … of course you can use what you already have, or buy one. I can do a simple sewn signature journal, but not much else. This looked achievable so I have it a go.

    I’ll use the Australian Piano Hinge style again. Is mine perfect? Of course not, it’s my first attempt, and anyway nothing’s ever perfect. The paper I used for one element is a bit heavy, so it cracked on the fold. My cutting is slightly off, so some pages are a little bit shorter. But you know what? It doesn’t matter … I love it!

  • Inspired by online courses

    I recently completed a course by Marabeth Quinn on mixed media collage and intuitive landscape. I’m continuing to use the practice exercise she taught, and find it helpful for focusing in on what I love. Some of my work from the last few days is below.

    That set of 24 small pieces on paper inspired me to grab a medium sized wooden panel I’d worked on as part of a series, that didn’t fit with the rest in the end, and rework it. It probably isn’t finished yet, but I’m sitting with it for a few days to see how it feels. Below shows before and after.

  • Inspiration journal

    Through the years of looking after Tony my self care slipped a lot. I lost fitness and put on weight. Some people’s bodies cope fine with extra weight, unfortunately mine isn’t one of them. It’s four and a half months since Tony died. It feels like yesterday and forever at the same time … but what I do know is it’s time to take back control. Tony will be cheering me on.

    I’ve bought a second hand elliptical for at home, rejoined the gym (a different one that offers better support) and gone back to a proper eating plan.

    I’ve just had a three day weekend and spent it sorting stuff, getting used to the elliptical, and making an art journal that’s all about taking control and being capable – it’s an encouragement journal for me.

  • Small concertina

    Small concertina

    Over the weekend I’ve been working on a small handmade concertina journal, with just 4 pages each side. It’s not finished yet, but my work is clearly less controlled thanks to the Marabeth Quin course I’ve been doing.

    I’ve used paint, ink, collage, NeoColour II and pencil. It’s dying overnight and I’ll keep working on it tomorrow after work.