Patea Freezing Works paintings – Ruined II

Here is the second in the series of works based on the derelict Patea Freezing Works. The works closed in 1982 and that closure had a huge impact on the town. I know from personal experience; my dad owned a grocery store and the closure changed Mum and Dad’s lives forever. They owned the building, as well as they actual business, and had always seen the property as their retirement plan – but of course after the closure the building was pretty much worthless. Many people walked away form their homes, others sold them for a few hundred dollars, while a few daring souls packed their bags and moved their houses with them.

Time has moved on and the works have sat unused for 20 plus years. Time itself, and the work of vandals and copper thieves, has impacted on the structures and they had become quite unsafe. Then in February 2008 someone set fire to the works, but more on that in another post. The freezing works buildings are being demolished even as I type. The whole demolition process will take 6 months, and I’m taking photos throughout that time.

Speaking of photos, my thanks to local photographer Phu Tran, whose work can be seen here. He has graciously agreed to let me use his freezing works images as reference material for some paintings. I am deeply grateful for his generosity, and in awe of his ability with a camera.

This work, as with the previous one, is 16×16″ in acrylics on gallery wrap canvas. It is based on my memory of how the land and the buildings have combined over time as the buildings have eroded – they have become one, with the buildings sinking back into the earth, and the grasses and trees growing up through the ruins. Ruined II

Comments

3 responses to “Patea Freezing Works paintings – Ruined II”

  1. Margaret Avatar

    I am moved by your summary of the closing of the works and how it has impacted your family in particular. You seem to have content her that you are truly connected with. I find this is the most important aspect for authenticity when you are creating.

    Coming from a place where the grayness of the days often sets the colour schemes I use in my own work, I find the vibrancy of colour in yours quite a contrast. I’d love to hear a little more about how you go about choosing your colour schemes. E.g., are the colours vibrant because of the emotionality you feel about the topic/place.? I love the boldness of the purple/ green combination.

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  2. Diane Widler Wenzel Avatar

    Patea Freezing is a big emotional deal. Room for many images. in many colors?

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  3. Cath Sheard Avatar

    Hi Margaret. You’re so right – having a real connection with the subject matter makes such a difference to how one paints. This is more than just some scene I liked the look of. The question about colour is a good one, so I’m going to start tackling it in a post. I can’t imagine living somewhere gray, but it must have a beauty all of its own too.

    Diane, thanks for dropping by, it’s always lovely to hear from you. It *is* a big deal emotionally. Although the works need to come down, I do have mixed feelings. As yes, I think there are many images yet to come.

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