Cath Sheard Art

Tag: collage

  • Circling back

    Circling back

    I’ve been learning to draw faces. Today is day 50 of this #100dayproject. I can draw a recognisable face with no real effort now. What I can’t reliably do is convey a specific emotion, but hopefully in the next 50 days that will come.

    I’m also doing #100daysofcollage with Froyle Art and loving it. We’re doing a different colour each week. These are in a small Dylusions journal, so not overly time consuming. I’m using up some of my stash of gelli print and hand printed papers.

    But I’m also circling back to my earliest art journal love, Tim Holtz and Distress. Sometimes I put it away for a bit, but I always come back. I just got some new paper dolls, transparent wings, and some other bits and pieces. Heaven! Thanks to Fiona at Create for having great stock.

    Using my new Tim Holtz supplies, and some Finnabair rub ons.
    The first face I tried, and some of my most recent. Centre top is today one.
    A few recent collages from the series.

  • Influences

    Is my art original? Yes. Am I influenced by others artists? Absolutely. There’s a core group I’ve followed for years, including Tim Holtz, Teesha Moore, Traci Bautista, Dina Wakley and Dyan Reaveley. Some of them are designers with Ranger, so I’m influenced by both their art and their new products.

    Artists whose work has influenced me include Jasper Johns, Richard Serra, Mark Rothko, Robert Motherwell and Cy Twombly. I was fortunate to study some of them at The Learning Connexion during the four years I studied art.

    Teesha Moore, whose work I love, has been sharing some of her older art journal pages on Instagram. She’s had some health problems, so I don’t think she’s creating much at the moment. I’ve made her style of journal before, and often use her collage style in my journals.

    Tonight I hunted round in the cupboard and found a blank journal I’d made from Fabriano paper, based on a video she did of her process back in 2010. I’ve started colouring the pages using Golden Fluid Acrylics. Once it’s fully dry I’m going to use magazine images and downloaded mixed media papers to create my pages. I’ve just bought some of Denise Lush’s new collage papers and think they’ll be perfect for this project!

  • Gelli collab

    Penny and I spent a few hours playing with our gelli plates today. We talked about processes, colour/pattern likes and dislikes, and so on. Some really useful things happen when you work alongside someone you trust.

    Watching Penny work reminded me of processes I’ve used in the past, but have moved way from. I’d forgotten the sheer joy of putting colour on the plate and pulling a print – there’s no other way to get the serendipitous spots of colour and texture.

    Penny had stopped using stencils with gelli printing and rediscovered her love of a particular circle stencil. We talked about how I like quite complex, layered prints, while she likes the clean, clear lines you get from a good ghost print (second pull).

    I’ve been watching a lot of Elizabeth St Hilaire’s videos and tried to replicate her process. I didn’t get it quite right, and suspect I’m not starting with a dark enough base, need to think more about value / opacity, and do more layers. I’m sufficiently invested in the outcome that I’ll keep trying.

    Here’s a selection of papers I made today using tissue and tracing paper, and one piece of Hahnemule sumi rice paper.

  • Cute new journal

    I bought myself one of the small 6×6 Dina Wakley journals, which have lovely thick watercolour paper, and the new Art by Marlene Artsy Arabia paper elements. Love them! I’m having so much fun playing in this smaller format with the Dina Wakley gloss sprays, DWM acrylic paints, a few stencils and the paper elements.

  • Making windows in my journal

    I’ve been inspired by Niamh Baly on YouTube lately and she’d been making windows in her Dina Wakley art journal. Ok then!! I’ve just got some new Dina Wakley MEdia paints and stencils – okay okay – and collage tissue and glass sprays – from Fiona at Create in Auckland so was all set for some playtime. It was fun linking the three pages together by making sure the window on the burlap page worked with the layouts on either side. It’s something I can see me doing more of, especially with the burlap pages.