Tag: painting

  • Patea Freezing Works – Where’s my knife?

    I am back to my Freezing Works series; I need to have 3 works finished and sent off by the end of the month. They’re heading to the “One Size Fits All” exhibition at the Thornton Gallery in Hamilton in August. Each work has to be 10″ square and that suits be just fine for this series. I always enjoy working at that size anyway as it suits the way I work in winter – sitting down at my office desk with the heater on. In winter it is simply far too cold to go to my outside studio and stand at an easel. The studio used to be the caravan shed so it has corrugated iron walls, a concrete floor on dirt, and no insulation at all. Freezing in winter and hot as heck in summer. What a wimp, I know!

    These three works are loosely based on photos by New Zealand photographer Aaron Cubis. You can see some of his amazing work here on Flickr. I started with loose washes and runs of Golden Fluid Acrylics; Napthol red medium, Quinacridone magenta & crimson, and Phthalo green (blue) and Permanent green light. From there I have just played around, trying to capture the feel of years of peeling paint and rusty metals. What I loved about Aaron’s photos was the vivid contrast of the red and green paint on the walls and this is what I have tried to capture. This is probably going to be the most realistic of the three works as I tend to loosen up as I get into a subject painting by painting.

    Photo by Aaron Cubis

    The clean-up of the Freezing Works following the fire a couple of years ago is 95% complete now; the landscape looks so different with all those buildings gone. I guess the biggest impact on the landscape was when the chimney came down. I am happy to see it all gone; as I come down the hill into Patea the view out to the Tasman Sea is spectacular. Of course the landscape will never be as it was 100s of years ago, because of power lines, house sat the beach and so forth, but it does give a better idea of just how beautiful the untouched landscape must have been here pre-settlement.

    Where's my knife? 10×10" acrylic.
  • New paintings – sunset at the tidal pool

    I have just sent a new series of four paintings off to the “all things small and beautiful” exhibition in Tauranga. All works had to be 10×10″ – one of my favorite sizes to work in. The four works are all very similar in color and style and are all titled ‘sunset at the tidal pool’. They are loosely based on memories of seeing Dale Chihuly glass at an exhibition Tony and I went to in Hamilton on our honeymoon some 15 years ago. The sheer wonder of seeing his work in the flesh is still with me today. Dale’s incredible work can be seen here.

  • Patea Freezing Works – Old Pipework IV

    I have had the last week off work to concentrate on paintings for the upcoming LEGATO exhibition in Italy. So of course my new museum-grade canvases took a while to arrive… I used the time to do some more Patea Freezing Works paintings. Here is the latest to get a signature and coat of varnish. I love the rusty old red pipes against the purple buildings and mossy old walls.

    Old Pipes IV is 16×12″ in acrylic on gallery wrap canvas and is for sale on my website and on Etsy.

  • Patea Freezing Works – Metalwork VI

    This is the latest in the Patea Freezing Works series. I haven’t done much on the series for a couple of weeks as I have been busy with work for the LEGATO exhibition in Italy. Tony and I are both going over for the exhibition as it is such an exciting opportunity. Anyway, back to the Freezing Works.  This painting is based on a shot by local photographer Phu Tran; you can see his amazing photos on Flickr.

    This work is 40×40″ in acrylics on gallery wrap canvas and is for sale on my website and Etsy.

    The Freezing Works as I knew it is no more! The demolition work has been going on for over 3 months now and most of the above-ground buildings have gone. Most significant of all, in terms of the look of the site, the chimney has gone. This was quite controversial, for reasons I won’t bother going into, for now at least. You can see in the photo below, taken by Sandra Robinson, just what a mammoth structure the chimney really was.

    So, increasingly, this series of works is from photos and from memory, rather than from photos and a daily view of the works. This isn’t a bad thing; the point of the series was always about the “remembered landscape”.

  • Derelict XI – sold!

    Derelict XI, one of the Patea Freezing Works series, has been sold to a local couple. They both enjoy walking down round the river area and love the old cool-stores. She recognised the buildings instantly in the painting and decided they had to have it. I sent it home with her for a ‘test run’ to see if her husband approved and he was back within probably half an hour – sold! I hope their new artwork brings them much joy. I certainly had fun painting it.