Cath Sheard Art

Tag: painting

  • First exhibition for 2010

    I have 3 paintings in this Invercargill exhibition that starts in March. It has been organised by fellow NZ Art Guild member Chavah Kinloch. You can see her beautiful artworks here. It’s good to be back on the exhibition circuit for the year. Wish me success!

  • Choosing art over (almost) everything else

    In November 2007 I posted about finding time for art. I am going to repeat that entry below, because it is something that is as relevent to me as ever. Perhaps more so, with social networking taking up more time than 2 or 3 years ago.  So tell me, do you make your art your #1 priority, after self and family? Or is art right at the back of the line? It’s a choice we can each make every day…  (I may put a couple of edits in – and will make sure it is clear they are changes form the original)

    Do you ever stop and think and what your responsibilities are? And how best to juggle your time so you get things done and still have “art time” or “me time”. It’s a topic I often come back to.
    I work full time as a librarian, study art by distance learning, publish a monthly community newspaper and Tony and I are Mum’s caregivers. Am I going to gripe about how busy I am? No way. I think that is one of the things we do wrong. People seem to play “I’m busier than you are” like it is some sort of game, and I think all it does it drain your energy. Accept you are busy and get on with it.
    So how do I get art time? Well, for starters…I employ a housekeeper for 3 hours a week, someone comes and does the lawns once a fortnight, and someone else tames the gardens from time to time. (we now have a dishwasher as well, and all the laundry goes in the clothes dryer. Hey, it’s only a power bill, right?)
    Due to serious health issues, the medical system provides a breakfast helper, lunchtime helper, and home delivered midday meal for Mum on weekdays. (We still have this level of support, for which I am grateful. I should also have said, my sister comes down once a month for the weekend, to visit Mum and help out. I love her to pieces.) That way I can go to work and not be worrying about whether she is okay, out of bed, had her breakfast and meds etc. Night time is my responsibility. Two days a week a rest home collects her for day care so she has some other company, and I pick her up on the way home from work. Weekends the care is up to Tony and I. So, we are getting a good level of help with Mum. Even though it can be really tiring, I am very grateful that we still have her with us; not everyone is so fortunate.
    So, what else? I forgo television. Yep, that’s right. Except for the news, and some art programs, while Mum and Tony watch it while I head for my art room. I try to do other jobs in batches, like paying bills etc, rather than fluffing round endlessly with that sort of task. I try and relax about the state of the place; whilst clean enough and tidy enough, this is no show home.
    In the end is comes down to – what would I rather do with this moment, these moments? This, that, or art. Unless my family wants or needs me, art wins most of the time. For me, it’s about knowing what my passion is and going for it heart and soul.
    What do you choose most days?

  • Patea Freezing Works – Framework

    I showed details from this painting a few posts back when I was talking about the colors I am using. Those photos also give some idea of the mark making involved in these pieces. I start most of the works with a few lines in a black Cretacolor pastel pencil – both as a rough guide to placement and just to get some marks onto the canvas so it’s not so ‘new’ any more. From there I put really runny white acrylic over most areas and start brushing thin acrylic color into the white. Again, just tinting the surface and giving me clues about what goes where. In some areas I will keep working away at it until I have a fairly flat area of final color. While this is happening others areas are drying as quite pale washes.

    Once I have paint over the whole canvas, and some areas at a near final colour, I start blocking in larger areas of more concentrated colour. I use big brushes, a lovely wide 1 1/5″Color Scraper, painting knife and old credit cards. As I get more color on I start adding marks using the knife, the edge of the credit cards, brush handles etc. I also scratch paint off again with the same tools. With some of the flatter areas I may mist them with water and then blot some of the paint off with a paper towel. I keep an old houseplant watering bottle on my desk for doing this. The Atelier Interactive paints are especially receptive to this sort of treatment.

    Framework

    Most of the finishing of the work is done without using a brush, except for a rigger, because I like the marks to show.For me it is important that people can see my hand in the work. I think over time we each develop marks that are distinctly our own; even if someone else tried to copy them, they’d never be quite the same. It’s like giving an authentic signature and a forgery to a hand-writing expert; the differences show.

    So, this work is titled Framework, and as with the others in the series so far it is 16×16″ in acrylics on gallery wrap canvas.

  • Patea Freezing Works – Switched Off

    This is another work which I completed at the weekend, called “Switched Off”. It stared with a photograph of a power switch on a factory wall, with the coloured wires going up he wall towards the ceiling. I don’t know what room it was in within the works. All the other works I have done so far have focused on the exterior of the works, but I have some incredible photos of the interior, including gears, switches and chains. Later, as the demolition continues, there will other things come on site, such as air quality monitoring kits and ground testing equipment. All fascinating stuff in its own way.

    Switched Off

    Speaking of fascinating. I am reading a book called ‘100 most important science ideas’. I love science; things like Fibonacci’s Numbers, the Golden Rectangle and Schrodinger’s cat. Sadly, although fascinated, my brain is not very good at science. I have a dear friend who is incredibly logical. If you gave us both 30 bits of related information, all on separate bits of paper we would handle it quite differently. She would arrange them all, mentally sort and sift and calculate – then come up with the correct answer. I would look at them all, handle them and scribble on them, perhaps fold some – then go quiet on you. Two hours later my brain makes a leap of intuition and I yell out the correct answer, frightening small children and animals in the process. (no wonder my husband sometimes panics when I do crosswords) So, I am destined to enjoy, but constantly fail at, science – ah well…
    Anyway, back to art, which is much more suited to my slightly unusual brain. As with the other Freezing Works paintings, this one is 16×16″ in acrylic on canvas and will be for sale through my website.  I may not get it uploaded tonight as I seem to be having problems with our wireless connection.

  • Patea Freezing Works – Bare Bones IX


    Bare Bones IX

    In  my last post I talked about how I selected the colours for this series – a combination of the local light, the colours of our land and probably most importantly the colours that describe how I feel about the Freezing Works.

    I don’t normally work in such a high key palette but in working through Confident Colour, Nita Leland’s book, I realised that on many ways I prefer high key even though I tend to paint quite dark. I made a conscious decision to lighten up. It has been a tiring week and work, then this morning I got up and did  3 loads of washing and ironed 5 ambulance shirts, made our lunches, loaded the dishwasher etc then headed for my art room.

    Remember I said that the colours I am using are partly an expression of how I feel in my memory about the freezing works? Turns out they are also a reflection of who I am feeling at the time, which is no great surprise I guess. How do I know this. Because I painted for a couple of hours then roamed off to get a cold drink. When I came back to my art room – oh my goodness!

    This afternoon’s effort is dark and gloomy, despite using the same few tubes of colour as before. It is my use of them that has changed. Grey sky, gloomy buildings, dark shadowed land. Dreadful…so tomorrow it gets gessoed over and I start again.

    I did the only sensible thing I could do when I realised what I had done. I went into Mum’s room, where she was doing a crossword as always, and got into her bed for a nap in the sun (giving her strict instructions to wake me after 30 minutes). It’s amazing what a quick nap can do for your day. It’s funny, at the weekend I often have a wee nap on or in her bed while she reads or does the crosswords. Some of us never get over needing our Mum no matter how old we are…

    In the meantime, here is one I finished a couple of days ago now. It’s 16×16″ in acrylic on canvas and called Bare Bones IX. It’s for sale on my website here.