Cath Sheard Art

Tag: process

  • A stack of journals

    I decided to have a quick count of how many journals I’m using at the moment. It was more than I expected! I’ve got 10 journals on the go, but each one serves a specific purpose.

    I’ve got a weekly diary journal. A small journal we’re recording Tony’s journey in. A 6×6 heavy Kraft journal I’m using to explore colour combinations; there’s something lovely happens to colours when you leave some Kraft showing.

    A huge Dina Wakley journal that has 3 different types of paper – I bought that size by accident. A small Dylusions one I’m doing this year’s Creative Jump Start in; CJS2021 was in January and February but with Tony’s health I’m doing it slowly this year.

    I’ve always got a basic Dylusions and Dina Wakley journal on the go because they are where I play just for the fun of it, but also where I “download my head”.

    My current stash of journals
    Some of what I’m using my journals for at the moment.
    This is what I’ve been playing with today.

  • A safe place #BlogJune 27

    My art journals are somewhere to download the thoughts in my head without fear of judgement. The pages don’t have to make sense, be pretty or be “art”. They just have to feel right to me.

    I use a very intuitive process in my journals, just as I do in my artworks. For me it’s as much about the doing, as the result … it’s more about process than anything else.

    Tonight I’ve finished a small black Dylusions journal. I used lots of Dylusions Shimmer paint and Shimmer spray, shaped the page edges and cut peep holes, and generally had fun. I love the final result.

  • Valuing white space #BlogJune 18

    I was talking with my good friend Penny the other night about white space in our artwork. We often use similar colours and methods but our processes and end results are very different.

    My art journals are about “downloading my head”l. Often colour and writing fills the page to overflowing – chaos and emotion in 2D. But my abstract landscape art is different; it’s generally my calm, peaceful view to the seen world. I don’t aim to record, but to respond.

    Part of that response is a strong need for quiet space, usually white or maybe Titan Buff. I was working on 12 A4 mixed media and, when I sat back, realised I’d put too much colour on too quickly. Tomorrow I’ll look at them in the daylight. Some very strong darks might increase the sense of light, or they might need white paint added back.

    Night photos on my phone, so colours aren’t quite right!

  • Mark making #BlogJune 15

    On Sunday Penny and I “worked large” at Left Bank Art Gallery. I worked quite slowly for me, adding pencil, paint, and collage layer by layer – working across 8 panels at once. Next adding marks with NeoPastels, oil pastels and Inktense and finally a Posca for white splashes. Between each layer I sat and looked and thought … sometimes I work without stepping away at all, but not this time. I think the extra space around me encouraged a different way of working.

    These are cellphone photos in changeable light so not totally representative but good enough for now. The photo without white edges is detail from the main work, which is 50x76cm on Fabriano Artistico paper, so will need flattening a bit.

    I’ve always loved mark making; it’s generally how I add my strongest contrasts. I’m excited about these works, which use the colours of Hokitika Gorge but (to me anyway) have a feel of Mana Bay in Patea as a safe harbour.

  • #cjs20 day 2

    #cjs20 day 2

    Today’s artist at #cjs20 is Marieke Blokland; I hadn’t seen her work before and love it. Although much of her process is similar to mine, the results aren’t so I learned some new thngs and produced quite a different work to normal.

    The first one I started had a background that was too dark so the text didn’t show at all. I started again and am happy with it. But, ugh, my fluro paints have gone off in their jars and they smell revolting!

    day 2 finished