Cath Sheard Art

Tag: process

  • Doing what I want, not what I should…

    I spent some time the other day, just sitting in my art room, staring at the walls. Bored? No! Far from it; thinking about what I create and why. It’s a question I come back to from time to time, sometimes reasonably frequently if I have a lot on my mind.

    What could I see while I sat there? Most of the works on the walls are mine, bar two pieces – one by fellow NZ Art Guild member Tanya Dann, and one by Sandra Toornstra who I attended The Learning Connexion with. It was interesting to consider what I have chosen from my own works to look at all the time and why I chose them. It says something about my true preferences. You know the ones; the preferences that are about creating and enjoying, not exhibiting and selling. And boy oh boy, I realised once again that a chasm has appeared. What I love and what I create are not the same thing at the moment. No wonder I am feeling a bit under-inspired. I must be a slow learner because it’s not the first time this has happened…

    How is it that I come to this realisation, then lose it again after a while? In some ways I blame the internet. It’s so easy to get distracted by stats, figures, trends & sales and forget what’s in your heart. Cynthia Morris wrote a great article along these lines recently.  Post edited to add: I’m also reading Nicholas Carr’s “The shallows: how the internet is changing the way we think, read and rememebr” on the same subject. Carr argues that not since Gutenberg invented printing has humanity been exposed to such mind-altering technology. He believes the Net is actually re-wiring our brains and that by moving from the depths of thought to the shallows of distraction, the web is actually fostering ignorance. This is a challenging book, with a message worth thinking about.

    What am I going to do about it? My commitments to myself are as follows:

    • Facebook twice a day and that’s it.
    • Limit the amount of time I spend online each day.
    • Don’t enter any exhibitions etc till next year.
    • Spend from now till after Christmas creating for fun only – *no* selling.

    So, back to the original question – what did I see on my walls? Here’s the answer:



  • NZ Art Guild challenge – Ralph Hotere

    This fortnight’s NZ Art Guild Challenge was to base a work on the works of Ralph Hotere. Fantastic! But so much to choose from; dark and brooding paintwork? A cross? Sketchy lin drawing? Aluminium? Text? Oh, the choices … and all of them appealing.

    I spent some time on Google images, looking at some of his works, then got out a couple of books I have of his works, and perused the pages. Finally, I decided on black and white with text. I started with a back background and added white pastel, white wax pencil and white gel pen. Next, I erased some of the pastel to give me some lines in the white. I scanned it into Photoshop and added a semi-transparent layer with the words of a HIM song, Like St. Valentine, in white using a font that’s based on my own (untidy) handwriting.

    Hotere & HIM; Like Heaven

  • Crusade #45 – back to back

    Michelle’s challenge this month over the GPP Street Team site was to make colour copies of the backgrounds we scraped together last month, and finish them a few different ways. Today was a rare day for me; aside from the washing, there was *nothing* I needed to do. No paperwork, no artwork due, no anything!

    So, I did a pile of colour copies, grabbed some supplies and ripped into it. I used stencils, Sharpies, transparencies, foam stamps, bubble wrap stamping, hand writing, collage, stickers. With some of the pages I then re-scanned and added text in Photoshop.

    All up, I did around 20 pages. Here are a few that I particularly like (I’m showing a couple of the original backgrounds too). In some of them not all of the writing is visible. This is because some of them became like journal pages as I worked and the messages on them feel reasonably personal given that I’m quite introverted. If you can read it all, go for it. If you can’t, never mind!

    As always, thanks so much for the inspiration Michelle. If you enjoy looking at these, you’ll find links to other artists who are playing this month on the left hand side of the GPP Street Team home page. And if you want to join in – cool! Can’t wait to see what you create 🙂

     

    background 1

     

     

    background 2

     

     

    I value diversity

     

     

    My guarded heart

     

     

    Valued tools

     

     

    Painted hands

     

     

    Poppies

     

     

    My hands…

     

  • 54 little paintings completed

    Back in May of this year Tony and I went to Italy where I exhibited at the LEGATO exhibition in Cassino, along with 40 or so other New Zealand artists. The exhibition featured paintings, mixed media, sculpture, textile works, glass and drawings; all around a theme of peace and remembrance. Organiser Kay de Latour has a blog where she is documenting the ongoing story of the exhibition.

    I did quite a lot of fundraising in order for us to travel to Italy. One of the main things I did was offer $35 shares in my trip. In return each share holder got a share certificate, handmade postcard mailed back from Italy, a full colour newsletter after the trip and, by Christmas of this year, a 6×6″ painting around what we saw and learnt while away. In total I sold 57 shares, so took 60 or so handmade postcards in my suitcase and mailed them home from Cassino.

    Once we got home and the dust had settled I wrote a newsletter and mailed off 57 copies. And then started on the process of creating 57 little works of art. I wanted them to have real meaning both for me and for the recipients, but at the same time I didn’t want to do something so complicated that my every waking moment was spent on them from now till Christmas Eve. I thought long and hard about what had most touched me, and how that could be represented. I came up with a work method that means each work is individual but part of a large series, so that I could create them in batches of 10 or so at a time. When each work goes out to its new owner it has a letter with it, and part of that letter says:

    The enclosed mixed media work is based on more than 70 photos I took of poppies growing wild in the Lazio region, including around Monte Cassino Abbey. Many of the photos were blurred, taken from cars and trains as we sped through the landscape. For that reason the background is blurred; with a final large, in-focus poppy symbolising the way poppies became a focus for the artists. The large poppy is the same one used on the artwork I created for either my father or my best friend’s father, and so has special meaning to me. In addition, the poppies are important to me because they are such a strong symbol both in Italy and in New Zealand.

    This weekend I put the finishing touches on work number 54; the final 3 works are going to be quite different and very individual for a number of reasons. This has been a huge journey for me. I am pleased to have fulfilled my obligations to all my shareholders with plenty of time to spare and continue to be amazed by how wonderfully generous people are. I also learnt a lot about how I create works by doing such a big number of works with one essential theme. Things I would not have discovered any other way I suspect. What a journey this has been…so, here are two of the final batch of  ‘Italian Poppies’.

    Italian Poppies 1. 2010 Cath Sheard
    Italian Poppies 2. 2010 Cath Sheard

  • Seeing inspiration in the everyday

    There’s no denying that our trip to Italy and Dubai was inspiring; I will be looking at the photos for years to come. Sure exotic people and far off lands are exciting as an artist, but we can’t be forever on holiday (not with my luck at Lotto anyway!).

    Much of my inspiration comes from the land around me – the buildings, paddocks, the distant view of Mt Egmont, the waves crashing into Mana Bay at Patea Beach. Places that are accessible and affordable to get to. I try to have a camera with me most of the time so I can take a photo when something grabs my attention, often because of the light. I have a semi-organised filing system on the computer for my photos and also save some to cd in case my computer ever dies.

    These two  images are a digital combination of three photos; Mt Egmont, the waves crashing into the sand at Mana Bay and a cabbage tree at sunset. When I play round with the images like this I’m not necessarily wanting to achieve a particular end result. It’s more about knowing the subject, feeling comfortable with the shapes and just letting them seep into my brain. I know that I paint differently – better and looser – when my brain really knows the subject and can let go of some control.