In my last post I talked about how I selected the colours for this series – a combination of the local light, the colours of our land and probably most importantly the colours that describe how I feel about the Freezing Works.
I don’t normally work in such a high key palette but in working through Confident Colour, Nita Leland’s book, I realised that on many ways I prefer high key even though I tend to paint quite dark. I made a conscious decision to lighten up. It has been a tiring week and work, then this morning I got up and did 3 loads of washing and ironed 5 ambulance shirts, made our lunches, loaded the dishwasher etc then headed for my art room.
Remember I said that the colours I am using are partly an expression of how I feel in my memory about the freezing works? Turns out they are also a reflection of who I am feeling at the time, which is no great surprise I guess. How do I know this. Because I painted for a couple of hours then roamed off to get a cold drink. When I came back to my art room – oh my goodness!
This afternoon’s effort is dark and gloomy, despite using the same few tubes of colour as before. It is my use of them that has changed. Grey sky, gloomy buildings, dark shadowed land. Dreadful…so tomorrow it gets gessoed over and I start again.
I did the only sensible thing I could do when I realised what I had done. I went into Mum’s room, where she was doing a crossword as always, and got into her bed for a nap in the sun (giving her strict instructions to wake me after 30 minutes). It’s amazing what a quick nap can do for your day. It’s funny, at the weekend I often have a wee nap on or in her bed while she reads or does the crosswords. Some of us never get over needing our Mum no matter how old we are…
In the meantime, here is one I finished a couple of days ago now. It’s 16×16″ in acrylic on canvas and called Bare Bones IX. It’s for sale on my website here.
Cath Sheard Art 
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